PERRAUX

Perreaux è un'azienda neozelandese produttrice di apparecchiature audio di alta qualità. La loro missione è la riproduzione più fedele possibile di un evento musicale. Per questo Perreaux combina tecniche di produzione avanzate con un design unico. Tratti distintivi del marchio sono : ricerca nella progettazione e circuitazione, alta selezione dei componenti e grande solidità costruttiva per durare nel tempo. I loro prodotti utilizzano tecnologie all'avanguardia, assicurando al cliente la più alta qualità sonica. Storia Perreaux fu fondata nel 1974. Il primo prodotto realizzato è stato un amplificatore integrato a transistor capace di erogare 22Wrms per canale. Nel corso dei due anni successivi l'azienda sviluppa nuovi prodotti, tra cui preamplificatori, amplificatori e altoparlanti per i mercati domestico e professionale. Nel 1976 Perreaux produce il primo sistema PA della Nuova Zelanda : questo sistema pesava circa 3 tonnellate ed era in grado di erogare 900Wrms. Nel 1977 Perreaux viene a conoscenza della tecnologia MOSFET. Dopo anni di studio e lavoro sperimentale, la società si rende conto che i MOSFET di potenza, se utilizzati correttamente, possono fornire un suono caldo, dolcezza e realismo timbrico tipici delle valvole in combinazione con gli aspetti più pratici dello stato solido. Nel 1979 produce i primi amplificatori a MOSFET: con questi prodotti Perreaux è la prima azienda nel mondo occidentale ad utilizzare i MOSFET di potenza in apparecchi audio. Le reazioni dei mercati sono entusiastiche. Nei 1980, la Perreaux sbarca negli Stati Uniti : alcuni rivenditori hi-fi a New York rimangono favorevolmente colpiti e da allora le vendite si incrementano progressivamente. Nel 1983 debutta il preamplificatore SM2 che utilizza una circuitazione in pura classe A. Questo prodotto catalizza l’attenzione della stampa audio internazionale che comincia a dedicare sempre più attenzione a questa azienda. Nel 1985 gli ampli professionali Perreaux vengono utilizzati dalla Lucas Film Ltd con la tecnologia THX . Più recentemente Perreaux ha intrapreso un'ulteriore intensa attività di ricerca e sviluppo, abbracciando sofisticati processi elettronici digitali nella maggior parte della linea di prodotti. La vasta conoscenza sia dell'elettronica analogica che digitale e il loro utilizzo in ambiti misti consente all'azienda di continuare a sviluppare e offrire alcuni dei più sofisticati e musicali componenti audio/video disponibili oggi sul mercato. Dopo avere venduto migliaia di unità, le statistiche pongono la Perreaux ai vertici come affidabilità.

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Great-looking hi fi audio products that sound exceptional don't have to cost a fortune. The Audiant range of USB DACs, preamplifiers and amplifiers offer an elegant design using today's high definition technology that lets you hear your music like you've never heard it before. The Audiant range of audio products include a 32-bit asynchronous USB DAC preamp, 80W integrated amplifier with USB DAC and 100W stereo power amp with balanced input. Each product is packed with innovative features – combining exceptional sound and class-leading performance with unbeatable value. The design of the Audiant range is simply captivating; the sleek and modern appearance is a welcome change among the wealth of uninspiring audio components. The touch panel interface keeps the user experience current, while giving the flexibility of design to allow the Audiant range to look right at home in today's modern homes. The Audiant range provides a truly hi fi audio experience and raises the bar on what is possible in this category – the result of over 35 years of fine-tuning and perfecting. Audiant will reconnect you with the thing that is so often overlooked – the MUSIC. Are you interested in listening to Audiant, find your nearest dealer to experience the Audiant range of hi fi audio products for yourself. Audiant 80i Stereo Integrated Amplifier Audiant 80i Stereo Integrated Amplifier The Absolute Sound Editors' Choice Award The Audiant 80i is a stereo integrated amplifier equipped with an asynchronous USB DAC and is capable of delivering 80W of pure, distortion free power per channel. Audiant 80i features eight stereo inputs, including asynchronous USB, coaxial & optical digital inputs, along with a MM phono input for a turntable and a selectable home theatre loop. Incorporating an upsampling 24-bit/96kHz digital to analogue converter (DAC), Audiant 80i uses ESS Technology's Reference Sabre ES9006 DAC for accurate sound reproduction of all your digital sources. With listening, we realised that Audiant 80i was proof positive that our core philosophy is correct. Form and function combines to create a hugely satisfying amplifier. The appearance is aesthetically forward-thinking while the sound continues the tradition of previous Perreaux pieces – engaging, purposeful and controlled. Since 1974 Perreaux have been manufacturing high fidelity components of exceptional quality in New Zealand. Audiant proves again, that commitment and passion can triumph over geography and high expectations. The elegant implementation of MOSFET output devices and Class-A signal stages give Audiant 80i a potent, dynamic and sophisticated sonic signature. Merge our high musical standards with the versatile features of Audiant and you have an amplifier ready for now, and the future. A variety of digital inputs enable you make the most of the superb 24-bit/96kHz Digital to Analogue Converter (DAC).You can ease Audiant into a home theatre system to extract any missing detail from your cinema experience. Or you can put the needle on the record with the knowledge that the phono stage has been extensively tested by our music obsessed team in the deep south. Once again Perreaux bring you a ground-breaking amplifier that will reconnect you to the thing that is, in these busy days, so often overlooked – the MUSIC. Find your nearest dealer to experience the Audiant 80i integrated amplifier for yourself Amplifier Section Power Output: 80W into 8Ω 130W into 4Ω Total Harmonic Distortion (THD+N): Typically 20Hz to 20kHz 0.002% @ 1kHz <0.05% Frequency Response: 20Hz to 20kHz ±0.1dB, 20Hz to 20kHz Signal to Noise (A-weighted): 105dB, ref. 80W into 8Ω Damping Factor: 400 @ 1kHz, ref. 8Ω Gain: 28dB Preamplifier Section Analogue Inputs: 3 Line Level (RCA) 1 Phono (RCA) Home Theatre Input: Yes (selectable) Analogue Input Impedance: 47kΩ Volume Control Range: -90.0dB to +6.0dB Analogue Outputs: 1 Pre Out (RCA) 1 Line Out (RCA) Analogue Output Impedance: Pre Out: Line Out: 540Ω 270Ω Signal to Noise Ratio (A-weighted): 113dB, ref. 2Vrms Digital Audio Section Digital Inputs: 1 USB (asynchronous 24/96) 1 Coaxial (RCA) 2 Optical (Toslink) Digital Input Impedance: 75Ω (Coaxial) Transformer Coupled Digital Input: Yes (Coaxial) Digital to Analogue Converter: ESS Technology Sabre Reference ES9006 DAC Input Word Length (maximum): 24-bit (all inputs) Input Sample Rate (maximum): 96kHz (all inputs) Digital to Analogue Conversion: 24-bit/96kHz (upsampled) DAC Output Voltage: 1.95Vrms @ 0dBFS Total Harmonic Distortion (THD+N): Typically 20Hz to 20kHz 0.002% @ 1kHz, -20dBFS <0.004%, -20dBFS Frequency Response 20Hz to 20kHz ±0.2dB Signal to Noise Ratio (A-weighted): 120dB, ref. 0dBFS Phono Stage Gain: 40dB Input Impedance: 47kΩ Input Capacitance: 100pF Total Harmonic Distortion (THD+N): Typically 20Hz to 20kHz 0.06% @ 1kHz, 1Vrms <0.15%, 1Vrms General Power Consumption Standby: Idle: Maximum (130W into 4Ω): <1W 50W 640W Dimensions Width: Depth: Height: 431mm (17.0") 309mm (12.2") 67mm (2.6") Weight: 11.5kg (25.3lb)

Versione x:phono MM/MC, DAC 24/384 DSD, Bluetooth Audio ,ampli cuffia in classe A, telecomando IR, iOS , Android OPTIONAL : Phono Option scheda phono MM/MC 600,00 euro -DAC Option scheda DAC USB DAC 1.600,00 euro

The 255i is Perreaux's most powerful, most sophisticated integrated amplifier. It's performance and specifications are truly impressive, but hearing the 255i is when you will truly appreciate the quality engineering, design and craftsmanship. The 255i is the most advanced integrated amplifier Perreaux has ever produced.Dimensions Width: 426mm (16.8") Depth: 344mm (13.5") Height: 149mm (5.9") Weight: 25kg (55lb) Amplifier Rated Power Output (per channel): 250W into 8Ω 500W into 4Ω Maximum Power Output (prior to clipping, per channel): 360W into 8Ω 530W into 4Ω Total Harmonic Distortion + Noise Typically: 20Hz to 20kHz: 0.002% @ 1kHz, 250W into 8Ω 0.010%, 250W into 8Ω Frequency Response 20Hz to 20kHz: 5Hz to 60kHz: +0.00dB, -0.15dB +0.00dB, -0.50dB Damping Factor: 800 @ 1kHz, 250W into 8Ω Signal to Noise Ratio (unweighted): better than 98dB, ref. 250W Preamplifier Input Impedance Unbalanced: Balanced: 12kΩ 22kΩ Input Overload Unbalanced: Balanced: 8Vrms 8Vrms Volume Control Range: -95.5dB to +31.5dB Volume Control Resolution: 0.5dB per step Input Volume Trim Range: ±40dB Balance Resolution: 0.5dB Balance Range: ±40dB Headphone Amplifier Headphone Rated Power Output: 1.0W into 32Ω 150mW into 300Ω Headphone Total Harmonic Distortion + Noise Typically: 20Hz to 20kHz: 0.001% @ 1kHz, 1.0W into 32Ω less than 0.002%, 1.0W into 32Ω Headphone Volume Trim Range: ±40dB 255i DAC Module Specifications Digital Inputs: 2 SPDIF Coax (RCA) 2 SPDIF Optical (Toslink) 1 USB (Type B) Chipsets: ES9038PRO Sabre DAC / XMOS chipset solution (32 bit / 140db noise floor)Input Sample Rate: 32, 44.1, 48, 88.2, 96, 176.4, 192kHz (Coax, Optical)32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / DSD 64, 128, 256 (USB)Input Word Length (maximum): 32-bit (Coax, Optical) 32-bit (USB) Input Impedance: 75Ω (Coax) Transformer Coupled Coax: Optical: USB: YesNo Asynchronous and Galvanically IsolatedAnalogue Section Digital to Analogue Conversion: 32-bit/384kHz Output Voltage: 2.0Vrms @ 0dBFS Total Harmonic Distortion + Noise 0.002%, 20Hz-20kHz @ 0dBFS Frequency Response 20Hz to 20kHz: 5Hz to 94kHz: +0.0dB, -0.1dB +0.0dB, -3.0dB Dynamic Range (unweighted): better than 115dB @ 0dBFSSignal to Noise Ratio (unweighted): better than 115dB @ 0dBFSChannel Separation: better than 110dB @ 0dBFS Stop Band: 105kHz Stop Band Attenuation: 125dB 255i Phono Module SpecificationsInput Impedance Low Gain (MM):High Gain (MC): 47kΩ 100ΩInput Capacitance: 22pF Gain Low Gain (MM):High Gain (MC): 40dB60dB Total Harmonic Distortion + Noise Typically: 20Hz to 20kHz: 0.002% @ 1kHz, low gain setting less than 0.010%, low gain setting RIAA Accuracy: ±0.5dB, 20Hz-20kHz Signal to Noise Ratio (unweighted): better than 85dB, low gain setting

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The Audiant DP32 is a USB DAC preamplifier equipped with a 32-bit digital to analogue converter (DAC), fully balanced analogue audio circuits and ample input options – featuring AES/EBU digital input and balanced XLR analogue input along with asynchronous 24-bit/192kHz USB audio streaming. From its sleek, modern appearance to its transparent, extended, and engaging sonic presentation; the Audiant DP32 preamp is simply captivating. The sound is spacious and focused, resolving so much information but without brightness, grain or artefact. The Audiant DP32 USB DAC preamplifier is the perfect partner for the Audiant 100p stereo power amplifier. Whether as part of a complete Audiant system, or as the DAC preamp in your existing system – the DP32 will reconnect you with the MUSIC. Find out more about Balanced vs. Unbalanced Audio and discover how using a balanced input allows your audio system to sound its best. Find your nearest dealer to experience the Audiant DP32 USB DAC preamplifier for yourself Digital Audio Section Digital Inputs: 1 USB (asynchronous 24/192) 1 AES/EBU (XLR) 2 Coaxial (RCA) 2 Optical (Toslink) Digital Input Impedance: AES/EBU Coaxial 110Ω75Ω Digital to Analogue Converter: ESS Technology Sabre³² Reference ES9018 32-bit DAC Input Word Length (maximum): 24-bit (AES/EBU, Coaxial, Optical) 24-bit (USB) Input Sample Rate (maximum): 192kHz (all inputs) DAC Output Voltage: 2.0Vrms @ 0dBFS Total Correlated Jitter: <10ps @ -3dBFS (all sample rates) Preamplifier Section Analogue Inputs: 1 Balanced/Unbalanced (selectable)1 Unbalanced Line/Home Theatre (selectable) Analogue Input Impedance: BalancedUnbalanced 20kΩ 47kΩ Analogue Pre Outputs: 1 Balanced (XLR)1 Unbalanced (RCA) Analogue Line Outputs: 1 Unbalanced (RCA) Volume Control Bypass: Yes (selectable) Volume Control Range: Analogue Inputs Balanced XLR Unbalanced RCA Digital Inputs -105.0dB to 0.0dB -100.0dB to +6.0dB -105.0dB to 0.0dB Maximum Output Voltage: 12.0Vrms Analogue Output Impedance: Balanced XLR Unbalanced RCA 100Ω50Ω Total Harmonic Distortion (THD+N): Typically20Hz to 20kHz 0.0005% @ 1kHz better than 0.001% Frequency Response: 20Hz to 20kHz ±0.05dB Signal to Noise: 140dB, ref. 2Vrms (unweighted) Dynamic Range: 140dB @ -60dB, ref. 2Vrms (unweighted) Channel Separation: 20Hz to 20kHz better than 115dB, ref. 2Vrms General Dimensions: Widt Dept Height 431mm (17.0") 305mm (12.0") 67mm (2.6") Weight: 8.0kg (17.6lb)

Il Pre linea SM6 MkII è completamente bilanciato ed utilizza il percorso del segnale in Classe-A. Presenta la musica con il realismo della performance reale. Le sei alimentazioni separate alimentano i vari stadi analogici. La risposta in frequenza consente all'intero spettro audio di essere rappresentata in modo articolato e dinamico. Come in tutti i prodotti Perreaux, la componentistica a stato solido è della migliore qualità oggi reperibile

Prisma Series Conceived as a range of high end hi fi audio products for the audiophile, the team at Perreaux designed the Prisma series from their famous professional audio products to bring the era of professional quality products into your living room. The Prisma series carries many of the hallmarks of the professional products, such as rugged build quality, highly specified toroid transformers, smoothing capacitors and rectifiers. Balanced (XLR) and unbalanced (RCA) inputs, high quality speaker terminals and earth lift switch feature on each unit. Amplifiers in the range feature abundant power to drive the most difficult of loads, yet are refined to offer the highest audio fidelity to the most discerning listener. Are you interested in listening to Prisma, find your nearest dealer to experience the Prisma range of hi fi audio products for yourself.The Prisma Series SM6 MkII Balanced Stereo Preamplifier is a fully balanced hi fi audio stereo preamplifier. Utilising discrete Class-A signal and line stages in a fully balanced topology, the SM6 MkII presents music with the realism of the performance itself. With six separate regulated power supplies the sensitive analog stages are isolated from all power supply artifacts, allowing dynamic transient attacks to appear from a black background. The wide frequency response of the SM6 MkII enables the entire audio spectrum to be portrayed in an articulate manner, ensuring you’re not left guessing. As with all Perreaux products, the design is completely solid state, featuring the finest audiophile grade components throughout SM6 MkII Balanced Stereo Preamplifier User Controls Infrared (IR) Remote Control Alphanumeric Display Simple User Interface Remote Trigger Outputs Balanced/Unbalanced Selector I/O Compliment 6 pairs Unbalanced Inputs (RCA) 1 pair Balanced Inputs (XLR) 2 pairs Unbalanced Preamp Outputs (RCA) 1 pair Balanced Preamp Outputs (XLR) 2 pairs Unbalanced Line Outputs (RCA) General Features True balanced input and output for improved noise rejection and cancellation The SM6 MkII is a fully balanced stereo preamplifier, from input to output. The positive and negative halves of the signal never touch. This is very rare and only the highest quality hi fi audio preamplifiers have this architecture. Four discrete line stages running in Class-A The Class-A line stages have been designed to provide output buffering, so the user can drive low impedance loads over long cable lengths using any cable, without affecting the quality of the audio signal. Six separate regulated power supplies There is a separate power supply for each section of the preamplifier; one for each of the volume control ICs (one IC is used for each of the left and right channels to keep the system fully balanced and, therefore to maintain separation each IC is supplied with it’s own separate power supply), another one for each of the output buffering stages (once again because the SM6 MkII runs a fully balanced system, this means that there are two separate output buffer stages), yet another to power the digital logic and the final power supply looks after the input and output relays. The advantage of is that there is complete isolation from stage to stage, and most importantly digital noise is completely kept from infecting the analog audio section. Wireless remote control of all functions Many audiophile hi fi audio components are still provided with analog controls that are adjusted on the faceplate of the unit. While total control from the remote is common practice in standard products, it is not yet widely utilised on many high-end audio systems. Obvious advantage is that you don’t have to get out of your chair to make an adjustment. Home Theatre Bypass The SM6 MkII features a direct input (processor loop), which bypasses the preamplifier for use in a home theatre system. Earthing We pay particular attention to designing the product to ensure maximum separation between internal signal and power earths, only meeting at a central starred point. Premium grade components used throughout Wima signal capacitors, custom wound multi tap epoxy potted toroidal control transformer directly soldered to the PCB, highest quality fiberglass PCB allowing special treatment to be given to earth planes and layout with minimum dielectric, hand soldered through-hole mounted components. Precision digitally controlled analog resistor ladder volume control The SM6 MkII uses two digitally controlled resistor ladder volume controls. This is because we treat the positive and negative parts of the signal separately (true balanced system). The advantages of using a digitally controlled analog resistor ladder to adjust volume are - precise control, no contacts to corrode creating wiper noise and no analog component drift. Input switching via high quality relays Any manufacturer who uses a comprehensive remote control will use relays. However, Perreaux employs the use of high quality relays with gold plated silver contacts, thereby further lessening the chance of degrading the audio signal. Dual preamp level outputs You do not need to purchase an RCA style splitter if you want to drive two separate audio power amplifiers simultaneously (for example in a bi-amp situation) or if you wish to include a subwoofer in your system, as there are dual preamp outputs. High quality PCBs Quality PCBs featuring heavy copper tracks and components are used throughout the unit. Remote Trigger Outputs Dual 5V remote trigger outputs are provided to allow connected components to be powered ON or OFF as the SM6 MkII is taken in and out of standby.Rated Output Unbalanced: 1.5Vrms Balanced: ±1.5Vrms Total Harmonic Distortion (THD+N) Typically: 0.001% @ 1kHz 20Hz to 20kHz: <0.004% Frequency Response 20Hz to 20kHz: ±0.15dB Signal to Noise Ratio: 95dB, referenced to rated output Dynamic Range: 110dB Input Impedance Unbalanced: 10kΩ Balanced: 20kΩ Input Sensitivity Unbalanced: 215mV Balanced: 215mV Phase Accuracy: ±0.5º, 20Hz-20kHz Dimensions: Width Height Depth 430mm (16.9")106mm (4.2") 323mm (12.7") Weight: 7.7kg (17.0lb)

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Audiant 100p Stereo Power Amplifier Audiant 100p Stereo Power Amplifier Hi-Fi Choice Editor's Choice Award The Audiant 100p is a no compromise 100W stereo power amplifier with balanced input and combines form and function to create a hugely satisfying amplifier. The MOSFET output transistors and high-current power supply give a potent, dynamic and sophisticated sonic signature; continuing the tradition of previous Perreaux pieces – engaging, purposeful and controlled. With 100W power output per channel, fully balanced input circuitry, shunt voltage regulation and power supply filtering; it is amazing what advancements are made in the level of transparency, detail and dynamics. The Audiant 100p stereo power amplifier raises the bar on what is possible in this category. The Audiant 100p stereo power amplifier is the perfect partner for the Audiant DP32 USB DAC preamplifier. Whether as part of a complete Audiant system, or as the power amplifier in your existing system – the 100p will reconnect you with the MUSIC. Find out more about Balanced vs. Unbalanced Audio and discover how using a balanced input allows your audio system to sound its best. Find your nearest dealer to experience the Audiant 100p stereo power amplifier for yourself Amplifier Section Line Inputs: 1 Balanced(XLR) 1 Unbalanced (RCA) Input Impedance: Balanced Unbalanced 20kΩ 47kΩ Power Output: 100W into 8Ω 145W into 4Ω Input Sensitivity: BalancedUnbalanced 1.0Vrms0.5Vrms Total Harmonic Distortion (THD+N):Typically 20Hz to 20kHz 0.001% @ 1kHz less than 0.02% Frequency Response:20Hz to 20kHz ±0.1dB, ref. 8Ω Signal to Noise: 120dB, ref. 100W into 8Ω (unweighted) Dynamic Range: 120dB @ -60dB, ref. 100W into 8Ω (unweighted) Channel Separation: Typically 20Hz to 20kHz 100dB @ 1kHZ, ref. 100W into 8Ω better than 90dB, ref. 100W into 8Ω Damping Factor: 400 @ 1kHz, ref. 8Ω Amplifier Gain: Balanced Unbalanced 29.1dB 35.1dB Shunt Voltage Regulators: Yes Power Supply Filtering: Yes 12V Trigger Input: Yes Protection Circuitry: Yes Audio-Grade Signal Capacitors: Yes General Power Consumption:StandbyIdle Maximum (145W into 4Ω) <1W 60W 670W Dimensions: Width Depth Height 431mm (17.0") 309mm (12.2") 67mm (2.6") Weight: 12.0kg (26.4lb)

Il finale 350 è un amplificatore di potenza stereo da 350W per canale. La potenza elevata permette di pilotare senza sforzo tutti i diffusori con precisione, dettaglio e musicalità per cui i prodotti Perreaux sono rinomati. La possibilità di estendere in profondità le ottave inferiori con controllo e finezza fornisce fornisce agli strumenti e alle voci grande realismo. La trasparenza sonica è la principale qualità dei 350. Come in tutti i prodotti Perreaux, la componentistica a stato solido è della migliore qualità oggi reperibile.SPECIFICHE TECNICHE Continuous Power Ouput (per channel): 350Wrms into 8ohm 600Wrms into 4ohm Total Harmonic Distortion (THD+N): Typically 0.004% @ 1kHz into 8ohm 20Hz to 20kHz <0.02% into 8ohm Frequency Response: 20Hz-25kHz, Â±0.25dB Hum & Noise (unweighted): -100dB, ref. rated output Dynamic Headroom (rated with music): >1.1dB Maximum Current Output: 80A per channel Damping Factor: >700 @ 1kHz into 8ohm Gain 30.7dB Input Impedance: Unbalanced 22kohm Balanced 3.3kohm Input Sensitivity: Unbalanced 1.5Vrms Balanced Â±0.78Vrms Dimensions: Width Height Depth 482mm (19.0') 176mm (6.9') 460mm (18.1') Weight: 30.0kg (66.1lb)

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The VP3 is a highly flexible customisable vinyl preamplifier capable of connecting both Moving Magnet and Moving Coil cartridges to your audio system, providing low distortion, high dynamic range and a sound which is open, detailed and transparent. The VP3 includes separate low noise input stages for Moving Magnet and Moving Coil cartridges with dip switches for both resistive and capacitive loading on each input allowing for a clean, direct customisable signal path from the cartridge output. The separate direct connections and switches ensure minimal noise and maximum channel separation, with the added ability of connecting two cartridges simultaneously and conveniently selecting between the two from the front panel. Four different gain settings, the ability to switch between the normal RIAA and IEC RIAA equalisation curves and the selectable Mono input ensure the highly flexible VP3 is compatible with any cartridge and audio system through the high rated balanced (XLR) and unbalanced output connections. The highest quality internal power supply features a custom designed, fully shielded toroidal transformer with shunt voltage regulation and filtering ensuring a low noise supply providing high levels of transparency, detail and dynamics. The internal layout ensures that the power supply is separated from the preamplifier stage to reduce noise while the mirrored layout of the preamplifier design about the output ensures maximum channel separation. Whether as part of a complete Audiant system or as the vinyl preamplifier in your existing system, the VP3 will reconnect you with your MUSIC.Inputs Audio Inputs: 2 Unbalanced (RCA) (selectable)Input Sensitivity:'MM' input 'MC' input 3.0mV to 11.9mV (selectable) 0.3mV to 1.2mV (selectable)Gain: 'MM' input'MC' input 36dB to 48dB (selectable)56dB to 68dB (selectable)Input Impedance: 'MM' input 'MC' input 1kΩ to 47kΩ (selectable)10Ω to 47kΩ (selectable) Input Capacitance: 'MM' input 'MC' input 22pF to 470pF (selectable) 47pF (selectable) Input Overload Margin: 22dB Trigger Input: OFF voltage ON voltage 1 mono 3.5mm (⅛") jack 0VDC 3-12VDC Outputs Audio Outputs: 1 Unbalanced (RCA) 1 Balanced (XLR) Output Impedance: Balanced Unbalanced 30Ω 100Ω Rated Output: 0.75Vrms Maximum Output: 10.3Vrms (14.5Vp-p) Preamplifier Total Harmonic Distortion (THD+N): Typically 20Hz to 20kHz 0.002%, 1kHz @ rated output <0.05% @ rated output RIAA Accuracy: ±0.5dB, 50Hz to 20kHz Signal to Noise Ratio (un-weighted): 87dB General Mains Fuse Rating: 0.5A (slow blow) Dimensions: Width Depth Height 431mm (17.0") 277mm 10.9") 67mm (2.6") Weight: 7.5kg (16.5lb)

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