Team spirit underlies all of our work at Vienna Acoustics, but when it comes right down to it, we achieve outstanding results because we are passionate. About what? Music, music, and music. And we have a vision: to bring you nearer to music by creating loudspeakers,clearly the most significant and important mediator of any sound system. At Vienna Acoustics, we have always been fascinated and motivated by the dramatic sound improvements a great speaker can provide. Mediocre systems prevent too many people from truly getting to know the joy of music, and we really appreciate the positive feedback we receive from all over the world about the musical Vienna Acoustics sound.Vienna Acoustics loudspeakers are the embodiment of our passion, our self-realization brought to life in loudspeakers that bend technology to the service of music. Maybe it's the ambience of our town Vienna, where music is always in the air – the concerts, the marvellous sound of the Goldener Musikvereinssaal, the jazz clubs, the dance clubs. Certainly Vienna is and has been an inspiration for artists; its musical heritage is overwhelming. No other city can lay claim to being the birthplace of western classical music. Mozart, Beethoven, Strauss, Schoenberg . . . the list goes on and on. Virtually every composer of significance has been drawn to Vienna, much as we have, for its richly musical backdrop. Today, Vienna remains the "City of Music," as the finest orchestras in the world bring their sonic delights to a populace at once critical and enthusiastic.We feel lucky to be able to relish all these musical offerings, and to combine these experiences with our work. Nothing is more important for us than your recognition of our commitment and talent in the sound, innovation, and quality of our speakers. This website contains comprehensive background information, but only hearing Vienna Acoustics products in person, for yourself, can demonstrate with real immediacy what makes our speakers so special. Our efforts focus on each individual product, to ensure that every one of our customers will get the masterpiece the designer intended, wherever she or he unpacks a Vienna Acoustics speaker. This is our self-realization: wherever we meet our progeny again, we'll be proud of them.


Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it


 

          

VIENNA ACOUSTIC   HAYDN                                  Listino  ufficiale  €.   1.616,00      

Haydn Grand Symphony Edition Signature La musica di Haydn è nota per il suo lirismo, da cui vibranti colori tonali e brillanti strutture armoniche vengono estratti da arrangiamenti apparentemente semplici. Allo stesso modo, il complemento di driver apparentemente semplice dell'Haydn Grand Symphony Edition, costituito dal nostro driver mid-bass brevettato X3P Spidercone da 6" e dal raffinato tweeter a cupola in seta da 1" a tripla pila, è incentrato sull'innovativa porta bass reflex a cuneo con controllo del flusso d'aria che serve a eliminare virtualmente il rumore della porta, consente per una maggiore flessibilità di posizionamento e fornisce una configurazione del driver straordinariamente compatta posizionando il tweeter sulla parte anteriore del cuneo. Un layout di crossover lineare dedicato, con i percorsi del circuito in rame disposti nella direzione del flusso di elettroni, tiene conto del potenziale di interazioni simpatiche e parassite tra i componenti del crossover che possono iniettare rumore e distorsioni indesiderate consentendo al tempo stesso un trasferimento più diretto ed efficiente del segnale a i driver che portano ad un maggiore livello di dettaglio e purezza. Questa combinazione di elementi, alloggiati in un cabinet meravigliosamente compatto, consente un posizionamento altrettanto efficace e semplice sia sugli scaffali che sui supporti per altoparlanti. Un monitor compatto a 2 vie, Haydn Grand Symphony Edition presenta immagini, risoluzione e linearità eccezionali, sfidando le prestazioni dei migliori diffusori da pavimento Impedenza 4 Ohm Risposta in frequenza 40 Hz - 20 kHz Sensibilità 88,5 dB Amplificatore consigliato 50 - 180 Watt Tweeter 1" VA Rivestito a mano , triplo magnete al neodimio cupola in setaMid-Woofer 6” Spider-Cone™ X3P Sistema di bassi Bass Reflex con ventilazione frontale Funzione bassi Ottimizzazione degli impulsi QB 3 (quasi Butterworth) Sistema crossover Bidirezionale 6db/12db BesselCrossover Componenti Condensatore MKP Tolleranza 1% Bobine 0,7% tol. , Resistenze a film metallico con bobine ad aria Senza induttanza all'1% Peso per coppia 44 libbre/20 kg Dimensioni (L x A x P) 6,85" x 14,2" 10,4" / 174 mm x 361 mm x 265 mm Prezzo per un diffusore  nei  coloripiano black -cherry-piano white   .Il  colore   Rosewood   1.850,00  euro

Haydn Grand Symphony Edition  Haydn’s music is known for its lyricism, from which vibrant tonal colors and brilliant harmonic structures are drawn out of deceptively simple arrangements. Similarly, the Haydn Grand Symphony Edition’s deceptively simple driver complement of our patented 6” X3P Spidercone mid-bass driver and refined 1” triple stackedsilk-dome tweeter centers around the groundbreaking airflow control wedge bass reflex port that serves to virtually eliminate port noise, allows for increased placement flexibility, and provides an extraordinarily compact driver configuration by positioning the tweeter on the front of the wedge. A dedicated linear crossover layout, with the copper circuit paths arranged in the direction of electron flow, takes into account the potential for sympathetic and parasitic interactions among crossover components that may inject unwanted noise and distortions while allowing for more direct and efficient transfer of signal to the drivers which leads to a greater level of detail and purity. This combination of elements, housed in a beautifully compact cabinet, permits equally effective and effortless placement in either bookshelves or on speaker stands. A compact 2-way monitor, Haydn Grand Symphony Edition features exceptional imaging, resolution and linearity, challenging the performance of the finest floor standers Impedance 4 Ohms Frequency response 40Hz – 20kHz Sensitivity 88.5dB Recommended Amplifier 50 – 180 Watts Tweeter 1” VA Hand Coated, Triple Neodymium Magnet Silk DomeMid-Woofer 6” Spider-Cone™ X3P Bass System Front Vented Bass Reflex Bass Function Impulse Optimizing QB 3 (quasi Butterworth) Crossover System Two Way 6db/12db BesselCrossover Components MKP Capacitor 1% Tolerance Coils 0.7% tol., Air Coils Metal Film Resistors 1% Inductance Free Weight per Pair 44lbs/20kg Dimensions (W x H x D) 6.85” x 14.2” 10.4” / 174mm x 361mm x 265mm Finishes Cherry, Premium Rosewood, Selected Walnut, Piano Black and Piano White.Price  for  one  speaker .

   

VIENNA ACOUSTIC   MOZART Reference  Edition                                   Listino  ufficiale  €.   2.490,00      

Mozart Grand Symphony Edition È quasi impossibile esprimere appieno l'impatto che Wolfgang Amadeus Mozart ha avuto sull'identità della nostra casa, Vienna. Questa importanza è la stessa per noi di Vienna Acoustics e per il modello di altoparlante, giunto alla terza generazione, che abbiamo scelto di intitolare al più famoso innovatore musicale. Tenendo pienamente conto dell'importanza rappresentata da Mozart, abbiamo ricreato il Mozart Grand con perfezionamenti che hanno interessato praticamente tutti i componenti critici. Un'area che non cambieremo è come e dove costruiamo ogni pezzo. Da più di vent'anni ogni diffusore che creiamo è realizzato a mano a Vienna, in Austria, utilizzando solo i migliori componenti e mobili personalizzati sapientemente realizzati. Partendo dalla nostra convinzione di lunga data che il fondamento di un corretto design di un altoparlante risieda nella qualità dei suoi driver, abbiamo lavorato a lungo sulla costruzione di unità di trasmissione con tolleranze sempre più strette. È con questo costante miglioramento nella produzione e nei test dei nostri driver che abbiamo trovato i primi modi per apportare miglioramenti a questo modello. Oltre a questi difficili miglioramenti nella produzione dei driver, abbiamo sostituito il secondo woofer con il nostro woofer brevettato Spider-Cone™. Come per tutti i nostri modelli, abbiamo deciso di continuare a ricercare modi per migliorare anche il crossover. I miglioramenti sonori finali come risultato di questi cambiamenti collettivi sono una maggiore chiarezza, velocità e una maggiore estensione dei bassi senza rinunciare alla famosa qualità musicale e al ritmo insiti in tutti i nostri progetti. La ricompensa finale per questo sforzo scrupoloso è presentata qui nella nostra edizione Mozart Grand Symphony, splendidamente rifinita con impiallacciature di vero legno selezionate, nonché con vera lacca per pianoforte. Impedenza 4 Ohm Risposta in frequenza 30 Hz - 22 kHz Sensibilità 90 dB Amplificatore consigliato 30 - 200 Watt Tweeter Mid-Woofer con cupola in seta VA da 1,1" rivestita a mano (1) X3P da 6", (2) Spider-Cone™ X3P da 6" Funzione dei bassi Ottimizzazione degli impulsi QB 3 (Quasi-Butterworth) Sistema bassi Sistema crossover Bass Reflex Componenti crossover a due vie e mezzo Condensatore MKP Tolleranza 1% Bobine 0,7% tol., bobine ad aria Resistori a film metallico 1% Senza induttanza Peso per coppia 116 libbre/52,6 kg Dimensioni (L x A x P) pollici 8,5 ” x 38,25” 13,5” mm 216 mm x 972 mm x 343 mm Prezzo per un diffusore  nei  coloripiano black -cherry-piano white  

VIENNA ACOUSTIC   MOZART signature  Edition                                    Listino  ufficiale  €.       3.750,00      

VIENNA ACOUSTIC   MOZART Infinity   (ATTIVE COPPIA)                                Listino  ufficiale  €.   12.500,00      

Mozart Symphony Edition Signature: più evoluzione che rivoluzione, la SE continua la tradizione VA di estrema attenzione ai dettagli in ogni fase di progettazione e produzione. Vestibilità e finitura sono superbe, probabilmente le migliori della categoria. Da alti cristallini a bassi pettorali, la Mozart SE offre un palcoscenico sonoro espansivo. Tracce delicate ma dinamiche creano un abbinamento perfetto, esponendo gli impulsi ad alta frequenza più sottili mantenendo il calore e la chiarezza dei medi per cui Vienna Acoustics è rinomataCaratteristiche Numero di tweeter: 1 Colore: Ciliegio Materiale di finitura: Impiallacciatura di legno Colore griglia B. laccato Dimensioni woofer, pollici: 6 Dimensioni driver midrange/woofer, pollici: 6Dimensioni tweeter, pollici: 1Materiale tweeter n. 1: setaTipo driver midrange/woofer: conoTipo tweeter: cupola Numero di driver: 3 Numero di vie del sistema di altoparlanti: 2,5 vie Posizionamento porta bass reflex: In basso Frequenza massima, Hz: 2000 Potenza massima, W: 200 Frequenza minima, Hz: 30 Impedenza, Ohm: 4 Livello di risposta, bD/Wt/m: 90 Cassa altoparlante: Con porta bass reflex Terminali: Viti, standard Dimensioni Peso, kg: 26,3 Altezza, mm: 972 Profondità, mm: 216 Larghezza, mm: 343

Mozart Grand Symphony Edition  It is nearly impossible to fully express the impact Wolfgang Amadeus Mozart has had on the identity of our home, Vienna. This importance is the same with us at Vienna Acoustics and the model loudspeaker, now in its third generation, which we have chosen to name for this most famous musical innovator. Taking into full account the importance Mozart represents, we have recreated the Mozart Grand with refinements effecting virtually all critical components. One area we will not change is how and where we build each piece. For more than twenty years each loudspeaker we create is hand crafted in Vienna, Austria with only the finest components and expertly crafted, custom cabinetry. Beginning with our longstanding belief that the foundation of a proper loudspeaker design lies within the quality of its drivers, we have worked extensively on building tighter and tighter tolerance drive units. It is with this constant improvement in our driver production and testing that we found the first ways of making improvements to this model. In addition to these difficult improvements in driver production, we have replaced the second woofer with our patented Spider-Cone™ woofer. As with all our models, we decided to continue researching ways of improving the crossover as well. The final sonic improvements as a result of these collective changes are greater clarity, speed as well as greater bass extension without giving up any of the famed musical quality and rhythm inherent in all our designs. The final reward for this painstaking effort is presented here in our Mozart Grand Symphony Edition, beautifully finished with selected real wood veneers, as well as with true piano lacquer.  Impedance 4 Ohms Frequency response 30Hz – 22kHzSensitivity 90 dBRecommended Amplifier 30 – 200 WattsTweeter 1.1” Hand Coated VA Silk DomeMid-Woofers (1) 6” X3P, (2) 6” Spider-Cone™ X3PBass FunctionImpulse Optimizing QB 3 (Quasi-Butterworth) Bass System Bass Reflex Crossover System Two and a Half Way Crossover Components MKP Capacitor 1% Tolerance Coils 0.7% tol., Air Coils Metal Film Resistors 1% Inductance Free Weight per Pair 116lbs/52.6kg Dimensions (W x H x D) inches 8.5” x 38.25” 13.5” mm 216mm x 972mm x 343mm Finishes Cherry, Premium Rosewood, Piano Black and Piano White .Price  for  one  speaker .

    

VIENNA ACOUSTIC BEETHOVEN BABY REFERENCE                 Listino  ufficiale  €.   4.257,00      

Beethoven Baby Grand Reference  Edition Questo design a 3 vie rappresenta il cuore e l'anima della gamma Concert Grand. Beethoven Baby Grand Symphony Edition, come lo strumento che porta il suo nome, consente di svolgere epiche esibizioni in sala da concerto nel comfort di sale di ascolto di medie dimensioni. Dinamico, aperto e altamente musicale, questo design a 3 vie presenta i nostri doppi woofer brevettati X3P Spider-Cone™ da 6", un singolo driver midrange X3P da 6" e un tweeter a cupola in seta al neodimio rivestito a mano da 1". Sin dalla nascita di Vienna Acoustics nel 1989, abbiamo costantemente sostenuto che la prima priorità di tutti i nostri progetti risiede nello sviluppo dei driver. Fondato su questa convinzione, Beethoven Baby Grand Symphony Edition è stato il primo modello a trarre vantaggio da questo tweeter con struttura magnetica al neodimio accuratamente progettato e prodotto con cura dagli specialisti di fascia alta di ScanSpeak. I driver midrange e tweeter straordinariamente naturali e trasparenti, accoppiati con due unità bassi, producono un equilibrio eccezionale, un'omogeneità, integrando le altezze più fini con una vera base slam. E questo equilibrio si estende al suo design industriale, dove le proporzioni sono perfettamente rese, i robusti deflettori anteriori e posteriori bilanciano la profondità extra del cabinet per conferire un senso di sostanza e stile che va ben oltre la semplice superficie. Un crossover dedicato, progettato con maggiore semplicità, è anche l'implementazione di componenti dal suono ancora migliore, pur mantenendo i nostri componenti con tolleranza più stretta dell'1%. Beethoven Baby Grand Symphony Edition è dotato di un kit base in alluminio di alta qualità con punte controdado, per la massima stabilità e messa a punto del suono, con conseguente grande gamma dinamica complessiva. Le impiallacciature sono come sempre selezionate a mano da noi a Vienna. Le vere lacche per pianoforte sono solo la massima qualità disponibile nel rispetto dei più severi standard ambientali dell'Europa occidentale. Impedenza 4 Ohm Risposta in frequenza 30 Hz - 22 kHz Sensibilità 90 dB Amplificatore consigliato 40 - 250 Watt Tweeter 1,1" rivestito a mano/ Neodimio, cupola in seta VA Midrange (1) Woofer X3P da 6" (2) Sistema di bassi X3P Spider-Cone™ da 6" Bass Reflex Funzione dei bassi Ottimizzazione degli impulsi QB 3 (Quasi-Butterworth) Sistema crossover Condensatore MKP Tolleranza 1% Bobine 0,7% tol., Bobine ad aria Film metallico Resistori 1% di induttanza libera Peso per coppia 120 libbre/55,5 kg Dimensioni (L x A x P) 8,5" x 40" 14,75" con gruppo base Dim. (L x A x P) mm 216 mm x 1016 mm x 375 mm . Prezzo per un diffusore  nei  coloripiano black -cherry-piano white   .Il  colore   Rosewood   4.890,00  euro

Beethoven Baby Grand Symphony Edition This 3-way design represents the heart and soul of the Concert Grand range. Beethoven Baby Grand Symphony Edition, like the instrument that shares its name, allows for epic concert hall performances to take place in the comfort of listening rooms of average dimension. Dynamic, open and highly musical, this 3-way design features our patented dual 6” X3P Spider-Cone™ woofers, a single 6” X3P midrange driver and an 1” hand coated Neodymium Silk Dome tweeter. Since Vienna Acoustics' birth in 1989, we have consistently maintained that the first priority of all of our designs rests in driver development. Founded in this belief, Beethoven Baby Grand Symphony Edition was the first model to take advantage of this carefully designed, ground up neodymium magnet structure tweeter, carefully manufactured by the highend specialists of ScanSpeak. The remarkably natural and transparent midrange and tweeter drivers, coupled with two bass units, produce an outstanding balance, a homogeneity, integrating finest heights to real slam base. And that balance extends to its industrial design, where the proportions are perfectly rendered, the robust front and rear baffles balancing out the extra depth of the cabinet to confer a sense of substance and style that are far more than skin deep. A dedicated crossover, designed with increased simplicity, is also the implementation of even better sounding components while maintaining our requisite tighter than 1% tolerance components. Beethoven Baby Grand Symphony Edition features an high grade aluminium base-kit with counter-nut spikes, for maximal stability and sound fine-tuning, resulting in great overall dynamic range. The veneers are as always, hand selected by us in Vienna. The true piano lacquers are only the highest quality available while adhering to the most stringent environmental standards of Western Europe.Impedance 4 Ohms Frequency response 30Hz – 22kHz Sensitivity 90 dB Recommended Amplifier 40 – 250 Watts Tweeter 1.1” Hand Coated/ Neodymium, VA Silk Dome Midrange (1) 6” X3P Woofers (2) 6” X3P Spider-Cone™ Bass System Bass Reflex Bass Function Impulse Optimizing QB 3 (Quasi-Butterworth) Crossover System MKP Capacitor 1% Tolerance Coils 0.7% tol., Air Coils Metal Film Resistors 1% Inductance Free Weight per Pair 120lbs/55.5kg Dimensions (W x H x D) 8.5” x 40” 14.75” with base assembly Dim. (W x H x D) mm 216mm x 1016mm x 375mm Finishes Cherry, Premium Rosewood, Piano Black and Piano White.Price  for  one  speaker .

 

VIENNA ACOUSTIC BEETHOVEN CONCERT GRAND REF.            Listino  ufficiale  €.   5.860,00      

Concerto di Beethoven Grand Reference Edition Scala, potenza e grandiosità sono tutte conferite dal suo nome. Come per tutti i modelli della gamma Concert Grand™, il nome del compositore viene selezionato in base alla scala, alla complessità e alla potenza della performance per cui sono più conosciuti. Il termine Concert Grand, come il pianoforte con la stessa denominazione, si riferisce alla sua capacità di fornire questo livello di prestazioni in grandi sale da concerto e sale da musica. La nuova Concert Grand Symphony Edition a 3 vie offre molto di più che solo potenza e scala. L'ascoltatore attento si diletterà nella lucidità e nella chiarezza delle importantissime gamme medie dove praticamente tutti gli strumenti trovano le loro origini toniche. Qui eccelle, con una naturale facilità, chiarezza e silenziosità laddove solo pochi modelli molto più costosi hanno messo piede. Per una sala di proiezione o un teatro su larga scala, la Concert Grand Symphony Edition offre anche le scene più impegnative con una facilità che consente un'immersione più profonda nell'esperienza cinematografica. Un prodotto davvero straordinario che ricalibrerà le vostre aspettative. Beethoven Concert Grand Symphony Edition presenta il nostro sofisticato tweeter al neodimio, un discendente della nostra tecnologia coassiale, risultato di una ricerca e sviluppo meticolosi e permanenti. Tre driver dei bassi Spidercone da 7" (o driver ULF, Ultra Low Frequency), presentano un gruppo motore rielaborato e un posizionamento rivisto delle nervature XXP, fornendo maggiore potenza, estensione e controllo. L'enorme superficie risultante dall'uso di tre di questi straordinari driver significa una riproduzione senza sforzo delle dinamiche dei bassi estremi con articolazione e forza. Le impiallacciature sono come sempre selezionate a mano da noi a Vienna. Le vere lacche per pianoforte sono solo della massima qualità disponibile e aderiscono ai più severi standard ambientali dell'Europa occidentale. Il tweeter Il nostro tweeter al neodimio è un discendente della nostra tecnologia coassiale, il risultato di uno sviluppo evolutivo permanente Nel corso degli anni Vienna Acoustics ha trovato il tweeter dal suono migliore, uno sviluppo raffinato in collaborazione con gli specialisti danesi di ScanSpeak. Ma la tecnologia superiore è la sorgente puntiforme e quel tweeter era troppo grande, quindi negli ultimi due anni l'obiettivo era quello di sviluppare una versione al neodimio che suonasse uguale al riferimento o migliore. Questo non solo è stato raggiunto, ma è stata anche realizzata un'estensione del super-tweeter, con una risoluzione eccezionale senza compromettere le caratteristiche generali fluide e naturali del tweeter originale. Originariamente sviluppato con magneti al neodimio per ridurne le dimensioni senza compromessi, non ha eguali nel suono incolore e neutro anche nella versione stand alone. Il filtro per il tweeter è un Bessel particolarmente "morbido" del 2° ordine, il midrange lavora a 6 dB (primo ordine, una bobina d'aria) con compensazione dell'impedenza per l'induttività della bobina mobile. I bass driver Bass Array Three da 7" Spidercone (o driver ULF, Ultra Low Frequency) - presenti anche nel nostro famoso altoparlante LISZT - presentano un gruppo motore rielaborato e un posizionamento rivisto delle nervature X3P, fornendo maggiore potenza, estensione e controllo. L'enorme superficie risultante dall'uso di tre di questi straordinari driver significa una riproduzione senza sforzo delle dinamiche dei bassi estremi con articolazione e forza. Il nostro cabinet utilizza diversi supporti che dividono il cabinet in due camere diverse, una con un singolo woofer e l'altra con due woofer, ciascuna ventilata e accordata in modo univoco. Le due unità inferiori producono i bassi più bassi, lavorando in parallelo, mentre il singolo driver fornisce la transizione ideale al driver di gamma media. Questa configurazione si traduce in un'enorme estensione dei bassi con velocità e liquidità. Il driver midrange Il driver midrange del nostro Beethoven Concert Grand Symphony Edition è dotato di un cono con la miscela proprietaria Vienna Acoustics "X3P" di TPX e 3 materiali sintetici a base di polipropilene, per il massimo smorzamento interno. Combina la precisione e la trasparenza dei coni duri - come il metallo stampato - con la morbidezza e la musicalità dei materiali più morbidi. Uno dei segreti è la giusta percentuale di polipropilene che offre il massimo in termini di rigidità e smorzamento interno. Il rivestimento in gomma invertita fornisce lo smorzamento ottimale senza perdite. L'unità crossover Beethoven Concert Grand Symphony Edition ha richiesto un nuovo sviluppo e design, utilizzando solo i componenti migliori e selezionati. I miglioramenti sonori finali come risultato di questi cambiamenti collettivi sono una maggiore chiarezza, velocità e una maggiore estensione dei bassi senza rinunciare alla famosa qualità musicale e al ritmo insiti in tutti i nostri progetti. Tutti i nostri singoli componenti crossover sono della massima qualità, scelti esclusivamente tramite test di ascolto. Di conseguenza, i nostri progetti presentano condensatori selezionati con cura molto costosi e resistori a film di ossido metallico con tolleranza inferiore all'1% vengono scelti per la loro assenza di induttanza. Impedenza 4 Ohm Risposta in frequenza 28-22.000 Hz Sensibilità 91 dB Amplificatore consigliato 50 – 300 Watt Unità driver Woofer da 7" (3) XPP "Spidercone" Midrange da 6" X3P Tweeter a cono Tweeter a cupola da 1,1" Sistema di bassi con cupola in seta VA rivestita a mano Bass Reflex Ottimizzazione degli impulsi della funzione dei bassi QB 3 (Quasi-Butterworth) Componenti crossover Condensatori MKP, 1% di tolleranza Bobine 0,7% tol., Sezione midrange/tweeter Bobine ad aria, Nucleo in polvere speciale per sezione bassi Resistori a film metallico 1% tol., Senza induttanza Funzione crossover a 3 vie, 6 dB e 12 dB Peso Bessel per coppia 144 Ibs Dimensioni (L x A x P) pollici pollici 7,5 x 42,7 x 15,7" (senza gruppo punte) 9,5 X 44, 5 X 17,75 (con gruppo punta) Dimensioni (L x A x P) pollici 190 x 1085 x 400 mm (senza gruppo base) 292 x 1145,5 x 400 mm (con gruppo base) Gruppo punta controdado in alluminio ottimizzato incluso.  Prezzo per un diffusore  nei  coloripiano black -cherry-piano white   .Il  colore   Rosewood   6.740,00  euro

Beethoven Concert Grand Symphony Edition Scale, power and grandeur are all conferred by its name. As with all models in the Concert Grand™ range, the composer name is selected based on the scale, complexity and power of performance for which they are best known. The term Concert Grand, like the piano of the same designation, refers to its ability to deliver this level of performance in large concert halls and music rooms. The new 3-way Concert Grand Symphony Edition delivers far more than just power and scale. The careful listener will delight in the lucidity and clarity of the all-important middle ranges where virtually all instruments find their tonic origins. Here it excels, with a natural ease, clarity and quietness where only a few much more expensive designs have tread. For a large-scale screening room or theater, the Concert Grand Symphony Edition delivers even the most demanding scenes with an ease that allows for deeper immersion into the film experience. A truly extraordinary product that will re-calibrate your expectations. Beethoven Concert Grand Symphony Edition features our sophisticated neodymium tweeter, a descendant of our coax technology - a result of meticulous, permanent research and development. Three 7” Spidercone bass drivers (or ULF, Ultra Low Frequency, drivers), feature a reworked motor assembly and revised placement of the XXP ribs, providing increased output, extension and control. The huge surface area that results from the use of three of these extraordinary drivers means effortless reproduction of extreme bass dynamics with articulation and force. The veneers are as always, hand selected by us in Vienna. The true piano lacquers are only the highest quality available while adhering to the most stringent environmental standards of Western Europe. The Tweeter Our neodymium tweeter is a descendant of our coax technology, a result of permanent evolutionary development Over the years Vienna Acoustics had found the best sounding tweeter, a refined development in cooperation with the danish specialists from ScanSpeak. But the superior technology is the point source, and that tweeter was too big, so over the last 2 years the goal was to develop a neodymium version which sounds the same as the reference or better. This was not only achieved, but on the way a super-tweeter extension was realised, with outstanding resolution without compromising the smooth and natural overall characteristics of the original tweeter. Originally developed with neodymium magnets to decrease its size with zero compromise, it is unmatched in uncoloured and neutral sound as the stand alone version as well. The filter for the tweeter is an especially "soft" Bessel of 2nd order, the midrange works 6dB (first order, one aircoil) with impedance compensation for the voice coil inductivity. The Bass Array Three 7” Spidercone bass drivers (or ULF, Ultra Low Frequency, drivers) – also found in our famed LISZT speaker -, feature a reworked motor assembly and revised placement of the X3P ribs, providing increased output, extension and control. The huge surface area that results from the use of three of these extraordinary drivers means effortless reproduction of extreme bass dynamics with articulation and force. Our cabinet utilizes several braces that divide the cabinet into two different chambers, one with a single woofer and the other with two woofers, each vented and uniquely tuned. The two lower units produce the lowest bass, working in parallel, while the single driver provides ideal transition to the midrange driver. This configuration results in tremendous bass extension with speed and liquidity. The Midrange Driver The midrange driver of our Beethoven Concert Grand Symphony Edition features a cone with the Vienna Acoustics proprietary mixture “X3P” of TPX and 3 polypropylene based synthetics , for maximum inner damping. It combines the precision and transparency of hard cones - such as stamped metal - with the smoothness and musicality of sof­ter materials. One of the secrets is the right share of polypropylene which gives the optimum in stiffness and inner damping ratio. The inverted rubber surround provides the optimum of no-loss damping. The Crossover Unit Beethoven Concert Grand Symphony Edition demanded new development and design, using only the finest, selected components. The final sonic improvements as a result of these collective changes are greater clarity, speed as well as greater bass extension without giving up any of the famed musical quality and rhythm inherent in all our designs. All of our individual crossover components are of the highest quality, chosen exclusively by listening tests. As a result, our designs feature very expensive handpicked capacitors, and metal-oxyd-film resistors with less than 1% tolerance are chosen for their freedom from inductance. The differences in resolution and spaciousness between capacitors that have identical measurements and identical material, but are produced by different manufacturers, can vary unbelievably. While our crossover components are chosen purely on the basis of their contribution to sound quality, we have identified another area of sonic variance in other designers' speakers. Even the tiniest variations in coil inductance may dramatically affect width and depth reproduction in the soundstage. We have eliminated this issue by winding our special air core inductors using a specially designed robot able to hold a tolerance of only 0.7%. The resulting improvement is decidedly worth the effort. Our massive, custom-made gold / silver plated binding posts, also found in our Reference Series, are designed to assure lowest transition resistance and accept banana plugs, spade terminals or bare wire connection. The Base Assembly Our new Beethoven Concert Grand Symphony Edition features a brandnew base-foundation. The carefully manufactured devise is created by using a high-pressure aluminium die-casting and designed for greatest stability and optimized decoupling of the speaker. The Fit and Finish As with all our models of the Concert Grand Series speaker systems, we have perfected a real-wood veneer process that to our opinion is exclusive and unrivaled: the membrane press / handcrafting veneer wrapping technique. Through years of experience working with real wood and real-wood veneer techniques, especially for curved baffles, Beethoven Concert Grand Symphony Edition is meticulously handcrafted to the highest standards of quality in Vienna, Austria, with each finished speaker matching the reference within 0.3 dB, to ensure the most effortless and natural performance from every speaker that leaves our factory. Available in true Piano Black and Piano White, as well as in sustainably sourced Cherry and Premium Rosewood veneer finishes. Impedance 4 Ohms Frequency response 28-22000 Hz Sensitivity 91 dB Recommended Amplifier 50 – 300 Watts Drive Units7” Woofer (3) XPP "Spidercone" 6” Midrange X3P Cone Tweeter 1.1” Dome-Tweeter Hand-Coated VA Silk Dome Bass System Bass Reflex Bass Function Impulse Optimizing QB 3 (Quasi-Butterworth) Crossover Components MKP Capacitors, 1% tolerance  Coils 0,7% tol.,  Midrange/Tweeter Section Air Coils,  Special Powder Core for Bass Section Metal Film Resistors 1% tol., Inductance Free Crossover Function 3-way, 6 dB and 12 dB Bessel Weight per Pair 144 Ibs Dimensions (W x H x D) inches inches 7,5 x 42,7 x 15,7" (without spike assembly) 9,5 X 44,5 X 17.75 (with spike assembly) Dimensions (W x H x D) inches 190 x 1085 x 400 mm (without base assembly) 292 x 1145,5 x 400 mm (with base assembly) Optimized aluminum counter-nut spike assembly included. Finishes Cherry, Premium Rosewood, Piano Black and Piano White.Price  for  one  speaker .

VIENNA ACOUSTIC   MAESTRO                             Listino  ufficiale  €.   2.470,00      

Maestro Grand At the heart of theater is the human voice. Our ears are most attuned to catch every subtle nuance of this expressive instrument. Being the hardest working speaker in a surround system, the quality level of a center channel is of major importance to a system. Film sound springs to life from the Maestro Grand with a naturalness and intensity to match any of the Vienna Acoustics Grand main speakers. The 1” hand coated silk-dome tweeter incorporates a triple stack neodymium magnet assembly mounted within an integral decoupling iris-shaped mounting block to reduce any extraneous resonance. Housing the tweeter in this assemble allows the tweeter to be positioned above the mid-bass drivers, assuring exceptional dispersion characteristics, as well as open and effortless high frequency response. The thoughtful chosen position of the tweeter allows to work in perfect harmony with the dual 6” mid-bass drivers, utilizing Vienna Acoustics’ proprietary Spider Cone technology, in order to offer unrestrained dynamics and unparalleled detail in giving voice to even the most sophisticated of theater systems.Impedance 4 Ohms Frequency response 38-22000 Hz Sensitivity 91 dB Recommended Amplifier 30 - 200 WattsDrive Units 2 x 6” Bass/Midrange Driver, X3P Cone Spidercone Technology 1 ” Dome-Tweeter, Hand-coated VA Silk Dome Bass System Bass Reflex, 2 x Front Ported Bass FunctionImpulse Optimizing QB 3 (Quasi-Butterworth) Crossover Components MKP Capacitors 1% Tolerance Coils 0,7% tol., Exclusively Air Coils Metal Film Resistors, 1% tol., Inductance Free Coils 0,7% tol., Midrange/Tweeter Section Air Coils, Special Powder Core for Bass Section Crossover Function 2-way, 6 dB and 12 dB Bessel Weight 30 Ibs / 14 kg Dimensions (W x H x D) inches 23,25 x 6,75 x 11,5" mm 590 x 172 x 291 mm Finishes Cherry, Premium Rosewood, Piano Black and Piano White.Price  for  one  speaker .

VIENNA ACOUSTIC   WALTZ                                   Listino  ufficiale  €.   1.200,00      

Waltz Grand  The Viennese Waltz has been a runaway hit for over two hundred years and is still heard in every corner of Vienna. So too, the Waltz Grand is an extraordinarily popular speaker and can be used virtually anywhere in any sound room. The remarkable Vienna Acoustics cabinetry houses a wealth of technology that allows these slim speakers to provide a rich tonal balance with surprising dynamics and astonishing detail. Featuring dual 6” X3P mid-bass drivers and a 1” silk dome tweeter, audiophile performance was made available in a wall-mountable enclosure only 3.5” thick. By designing both crossover and drivers in tandem, it most efficiently and effectively provides an unbelievably rich foundation of bass regardless of the size of the cabinet. Combine these attributes with uncanny mounting and placement versatility, and the result is a speaker that can serve equally well in any position in either two or multi-channel systems. The striking angles of the elaborately manufactured, angled cabinet provide more than just a beautiful appearance, as they allow for unparalleled placement flexibility in the focusing of the sound field, either to the right, left, or even center, depending on the enclosures vertical or horizontal orientation. The included hardware and bracket offer up to eight different possible mounting positions.Impedance 4 OhmsFrequency response 70-22,000 Hz Sensitivity 91 dB Recommended Amplifier 25 - 180 Watts Tweeter 1 ” Dome-Tweeter VA silk dome Drive Units (2) 6” Bass/Midrange Driver X3P transparent cone Bass System Acoustic Suspension (Closed Cabinet) Crossover Components MKP Capacitors 1% Tolerance Coils 0,7% tol., Exclusively Air  CoilsMetal Film Resistors, 1% tol.,  Inductance Free Crossover Function 2-way, 6 dB and 12 dB BesselWeight per Pair 16 Ibs / 7 kg Dimension (W x H x D) inches 7,9 x 18,9 x 3,7" Dimension (W x H x D) mm 200 x 480 x 95 mmFinishes Cherry, Premium Rosewood, Piano Black and Piano White .Price  for  one  speaker .

VIENNA ACOUSTIC   PRINCIPAL                                      Listino  ufficiale  €.   3.190,00      

Principal Grand  All at once, the possibilities of music, space and naturalness find its way into our last but not least member of our Concert Grand Series - Principal Grand. Why Principal? Strength, power and beauty: principal refers technically to the most pure of sounds from an organ; that which is not an imitation of other instruments. Following with this traditional definition, the Principal Grand subwoofer should never be confused with a woofer but rather is built as an example of the truest form of Sub-Woofer. Properly designed loudspeakers already have woofers. The Principal Grand subwoofer is designed to add the last octave of bass reinforcement below traditional woofers allowing for a greater sense of space and focus. Of course in home theater applications this also means the visceral experience the sound editors originally created and which are only now being realized with the latest high resolution multi-channel audio and video formats. The creation of this newest product rests on tried and true philosophies. The driver is first. Working very closely with the Danish manufacturer ScanSpeak, we have created our proprietary 12” driver. This hand crafted and made in Denmark woofer delivers tremendous power while still having the finesse and speed necessary to properly integrate with our loudspeakers. To control this driver we have sourced a beautifully constructed, two piece electronics package. The amplifier is of course extremely powerful offering a conservative 300watts. To maintain absolute control, all controls and the filter network is mounted in a completely separate enclosure beautifully hidden from view below the subwoofer itself. Lastly, and most obviously, the cabinet. As with all of our fine cabinets, only the finest in hand crafting is accepted. Whether true piano black or white lacquer, or either of our specially sourced wood veneers: cherry, or premium rosewood, we only select the finest. Strength, power and beauty. Bass System Bass-Reflex Design – Bottom vented (requires 25mm/1” to 50mm/2” from vent to floor) Frequency response 20Hz – 100 Hz Driver Design Proprietary Pulp-Paper Carbon filled cone manufactured by ScanSpeak, designed by Vienna Acoustics Amplifier 300 Watts SMD Technology Inputs (2) High-Level (~1,000O) (2) Line-Level via Phono (RCA) – Plugs Controls Power on/Standby (standby <1watt) 0° - 180° Phase switch Variable crossover control Variable gain control Weight per Pair 26kg / 58lbs Dimensions (W x H x D) 385mm/15.25” x 495mm/19.5” x 385mm/15.25” (including spikes) Finishes Cherry, Premium Rosewood, Piano Black and Piano White.Price  for  one  speaker .


Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it


   

VIENNA ACOUSTIC LISZT                                Listino  ufficiale  €.  8.250,00      

Liszt "La musica è il cuore della vita." Franz Liszt Forse il pianista tecnicamente più avanzato della sua epoca, Franz Liszt era noto per le improvvisazioni sorprendenti e l'innovazione di nuove forme di musica. Come il suo omonimo, la serie Imperial LISZT è una meraviglia di comando tecnico: l'ultima improvvisazione su un rivoluzionario design Vienna Acoustics che stabilisce un nuovo standard nel suono. I prodotti della Music Company Vienna Acoustics si ispirano alle persone e al luogo. Siamo sempre stati motivati dalla straordinaria differenza che un grande oratore può offrire; e quando costruiamo un prodotto a mano, come facciamo noi, sono sempre le persone e il loro lavoro di squadra a determinare quella differenza. Le nostre persone – il nostro team – condividono una passione per la musica che deriva dall’ambiente della nostra casa, la “Città della Musica”, con i suoi rinomati locali di musica classica e contemporanea. La musica è la cultura di Vienna, che permea ogni aspetto della vita, e musicisti da tutto il mondo si riversano in città per suonare nelle sue celebri sale da concerto dall'acustica magnifica. I diffusori Vienna Acoustics riflettono questa eredità: come il grande Großer Musikvereinssaal, consentono di realizzare pienamente qualsiasi stile musicale. Il suono è ricco, autentico, dettagliato e immancabilmente musicale. L'altoparlante Liszt L'apice della serie Imperial di Vienna Acoustics, il LISZT è un ingegnoso sistema di altoparlanti a tre vie che utilizza una versione completamente nuova della tecnologia brevettata Flat-Spider-Cone™ dei driver coincidenti vista per la prima volta nella nostra ammiraglia Klimt Series™. Questo driver è situato in un involucro rotante e ventilato separato, supportato da un sofisticato cabinet dei bassi con tre dei nostri woofer Spider-Cone brevettati. Il Music Center Il cuore del design LISZT è il nuovo driver coincidente Flat-Spider-Cone da 15 cm; il risultato di un intenso progetto di sviluppo condotto nel corso di molti anni per far avanzare ulteriormente il nostro sistema brevettato. Questo gruppo driver impareggiabile, che sposa perfettamente una nuova sorprendente gamma media con un altrettanto straordinario tweeter, è stato sviluppato esclusivamente da Vienna Acoustics ed è abilmente prodotto da ScanSpeak. La parte midrange del sistema utilizza un driver piatto utilizzando il nostro sistema proprietario materiale polimerico smorzante X3P rafforzato dall'introduzione di fibre di vetro, che guadagna ulteriormente rigidità strutturale dalle sue dodici grandi nervature di rinforzo "Spider" da 16 mm. Il risultato di questa tecnologia brevettata non è solo una rigidità senza precedenti con un vero comportamento pistonico, ma anche una massa eccezionalmente bassa, con conseguente risposta e risoluzione transitoria ultraveloci. Il controllo preciso e senza sforzo di questo driver è un enorme gruppo magnetico al neodimio ad alta forza, costruito attorno a un'enorme bobina mobile da 50 mm. Installato in una posizione perfettamente allineata nel tempo al centro del driver midrange è il nostro nuovo tweeter a cupola in seta rivestito a mano, progettato da Vienna Acoustics, azionato da un gruppo motore con magnete al neodimio. Con oltre due anni di sviluppo, questo nuovo tweeter si colloca come uno dei nostri migliori driver fino ad oggi. Il cabinet progettato per ospitare questo esclusivo sistema di driver sfrutta al meglio la sua straordinaria tecnologia. Il driver Flat-Spider-Cone è alloggiato in un'unità superiore separata che è disaccoppiata dalla cassa dei bassi da un meccanismo girevole in alluminio ad alta tecnologia, facilitando accordatura ottimale consentendo regolazioni minime della convergenza del Music Center. Sebbene questa configurazione di base sia simile a quella trovata nella serie di altoparlanti Klimt, unico per LISZT è il porting del cabinet midrange. Questo sistema di sospensione recentemente studiato da VA consente una consegna e una risoluzione dinamica non soppressa. L'array dei bassi Mentre il Music Center gestisce le frequenze alte e medie, tre driver dei bassi Spider Cone da 7 pollici, con coni composti dal nostro materiale polimerico X3P a coste brevettato, funzionano in un involucro separato ed elaborato. Il cabinet dei bassi che ospita i driver utilizza sette supporti che dividono il cabinet in due camere diverse, una con un singolo woofer e l'altra con due woofer, ciascuna ventilata e accordata in modo unico. Le due unità inferiori producono i bassi più bassi, lavorando in parallelo, mentre il singolo driver fornisce la transizione ideale al driver di gamma media. Questa configurazione si traduce in un'enorme estensione dei bassi con velocità e liquidità. La vestibilità e la finitura Come tutti i sistemi di altoparlanti Vienna Acoustics, LISZT è meticolosamente realizzato a mano secondo i più alti standard di qualità a Vienna, in Austria, con ogni altoparlante finito che corrisponde al riferimento entro 0,3 dB, per garantire le prestazioni più naturali e senza sforzo di ogni altoparlante che lascia la nostra fabbrica. Disponibile in vero Piano Black e Piano White, nonché con finiture impiallacciate in ciliegio e palissandro Premium di provenienza sostenibile. Impedenza 4 Ohm Risposta in frequenza 28 Hz - 25 kHz Sensibilità 91 dB Amplificatore consigliato 50 - 400 Watt Tweeter 1,2 pollici / 30 mm Neodimio rivestito a mano realizzato a mano Midrange con cupola in seta con ventilazione centrale (1) Flat-Spider-Cone™ da 6 pollici / 152,4 mm, woofer con motore al neodimio ad alta potenza (3) Sistema di bassi X3P Spider-Cone™ da 7 pollici / 177,8 mm Sistema di crossover Bass Reflex a tre vie. Componenti crossover Bessel da 6 dB e 12 dB Condensatore MKP, tolleranza 1%; Bobine in aria, tolleranza 0,7% Tolleranza resistori a film metallico, senza induttanza Peso per coppia 198 libbre / 88 kg Dimensioni (L x A x P) pollici 7,8" x 45,2" 17,2" senza gruppo base / mm 198 mm x 1148 mm x 435 mm pollici 11,6" x 47,6" 17,2" con gruppo base / mm 295 mm x 1210 mm x 435 mm Prezzo per un diffusore  nei  coloripiano black -cherry-piano white   .Il  colore   Rosewood   9.625,00  euro

Liszt "Music is the heart of life." Franz Liszt Perhaps the most technically advanced pianist of his era, Franz Liszt was noted for astounding improvisations and innovating new forms of music. Like its namesake, the Imperial Series LISZT is a marvel of technical command ­– the latest improvisation upon a revolutionary Vienna Acoustics design that sets a new standard in sound. The Music Company Vienna Acoustics products are inspired by people and place. We have always been motivated by the dramatic difference a great speaker can deliver; and when building a product by hand, as we do, it is always the people and their teamwork that determine that difference. Our people – our team – share a passion for music that derives from the ambience of our home, the “City of Music,” with its renowned classical and contemporary music venues. Music is the culture of Vienna, permeating every aspect of life, and musicians from around the world flock to the city to play in its celebrated, acoustically magnificent concert halls. Vienna Acoustics speakers reflect this heritage: like the great Großer Musikvereinssaal, they enable any style of music to be fully realized. The sound is rich, authentic, detailed, and unfailingly musical. The Liszt Speaker The pinnacle of Vienna Acoustics’ Imperial Series, the LISZT is an ingenious three-way loudspeaker system using an all-new version of the patented Flat-Spider-Cone™ coincident driver technology first seen in our flagship Klimt Series™. This driver is set in a separate rotating, vented enclosure, supported by a sophisticated bass cabinet featuring three of our patented Spider-Cone woofers. The Music Center The heart of the LISZT design is the new 15cm Flat-Spider-Cone coincident driver; the result of an intensive development project conducted over the course of many years to further advance our patented system. This second-to-none driver assembly, which perfectly marries an astonishing new midrange with an equally remarkable tweeter, was solely developed by Vienna Acoustics and is skillfully manufactured by ScanSpeak.The midrange portion of the system employs a flat driver using our proprietary self-damping X3P polymer material strengthened by the introduction of glass fibers, which further gains structural rigidity from its twelve large 16mm reinforcement “Spider” ribs. The result of this patented technology is not only unparalleled stiffness with true pistonic behavior, but also exceptionally low mass, resulting in ultra-fast transient response and resolution. Precisely and effortlessly controlling this driver is a huge, high-force neodymium magnet assembly, built around a massive 50mm voice coil. Installed in a perfectly time-aligned position at the center of the midrange driver is our new Vienna Acoustics–designed, hand-coated silk dome tweeter, driven by a neodymium magnet motor assembly. With over two years of development, this new tweeter ranks as one of our best drivers to date.The cabinet designed to house this unique driver system makes the most of its remarkable technology. The Flat-Spider-Cone driver is housed in a separate top unit that is decoupled from the bass enclosure by a high-tech, aluminum pivoting mechanism, facilitating optimal tuning by permitting minute toe-in adjustments of the Music Center.While this basic configuration is similar to that found in the Klimt Series of speakers, unique to LISZT is the porting of the midrange cabinet. This newly VA researched suspension system allows for unsuppressed dynamic delivery and resolution. The Bass Array While the Music Center handles high and middle frequencies, three 7 inch Spider Cone bass drivers, with cones composed of our proprietary ribbed X3P polymer material, perform in a separate and elaborately devised enclosure.  The bass cabinet housing the drivers utilizes seven braces that divide the cabinet into two different chambers, one with a single woofer and the other with two woofers, each vented and uniquely tuned. The two lower units produce the lowest bass, working in parallel, while the single driver provides ideal transition to the midrange driver. This configuration results in tremendous bass extension with speed and liquidity. The Fit and Finish As with all Vienna Acoustics speaker systems, LISZT is meticulously handcrafted to the highest standards of quality in Vienna, Austria, with each finished speaker matching the reference within 0.3 dB, to ensure the most effortless and natural performance from every speaker that leaves our factory. Available in true Piano Black and Piano White, as well as in sustainably sourced Cherry and Premium Rosewood veneer finishes.Impedance 4 Ohms Frequency response 28 Hz – 25 kHzSensitivity 91 dBRecommended Amplifier 50 – 400 Watts Tweeter 1.2in / 30mm Handcrafted, Hand-Coated Neodymium Center-Vented Silk Dome Midrange (1) 6in / 152.4mm Flat-Spider-Cone™, High-Power Neodymium Motor  Woofers (3) 7in / 177.8mm X3P Spider-Cone™Bass System Bass Reflex Crossover System Three-Way. 6dB and 12dB Bessel Crossover Components MKP Capacitor, 1% Tolerance; Air Coils, 0.7% Tolerance Metal Film Resistors Tolerance, Inductance FreeWeight per Pair 198 lbs / 88 kg Dimensions (W x H x D) inches 7.8” x 45.2” 17.2” without base assembly / mm 198 mm x 1148 mm x 435 mm inches 11.6” x 47.6” 17.2” with base assembly / mm 295 mm x 1210 mm x 435 mm Finishes Cherry, Premium Rosewood, Piano Black, and Piano White.Price  for  one  speaker .


Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it


 

VIENNA ACOUSTIC THE MUSIC                      Listino  ufficiale  €.  18.300,00      

The Music Passion, skill, leadership, innovation, vision, harmony, teamwork: the words that evoke Klimt and his Art were also always target for Vienna Acoustics and the company’s latest achievement, the first model out of the Klimt Series, "THE MUSIC".  Revolution Vienna Acoustics´ "THE MUSIC" introduces a truly revolutionary new flat, concentric 18 cm driver that closely approximates the Platonic ideal for which speaker designers have been striving. It places 7 octaves of music in a single, phase coherent time plane. With a wave launch that mimics "pebble dropped in a still pond", this remarkable driver reproduces spatial coherence unfamiliar to anyone, save perhaps the original recording engineer.The physics of this patented driver are an outgrowth of Vienna´s longstanding use of reinforced cones designed to maximize strength at nodal multiples, while keeping mass to a functional minimum. Flat cones actually do not provide stiffness, but we turned a disadvantage into an advantage by our patented one-sided-cone-light-weight-framing. Not only this delivers the best weight-stiffness ratio of any construction (the construction coming close in stiffness is sandwich, but it is too heavy as it needs a second layer and a dense honeycomb mesh), it also allows specific and calculated sound and impulse-response tuning by varying the quantity of ribs, their shape, their thickness, radial or concentric orientation, and specified placements on critical spots. Basis for the cone material is TPX, in a proprietary mix with other materials for the optimum result of stiffness/inner-damping ratio in combination with light-weight-framing on the cone's rear side. The maximum final stiffness is defined by adding glass fibres to the compound, aligned in the optimum arrangement by according injection moulding tool execution. All cones are developed and produced by Vienna Acoustics in Austria, afterwards manufactured to a complete driver by Eton Germany.By using finite element analysis, Vienna Acoustics´chief designer Peter Gansterer was able to create a radial-vaned structure (like architecture scientists we place a rib where necessary), cast into the flat cone that produces an enormously stiff, flat surface (thereby eliminating time and frequency specific phase shift across the driver), with a new state of the art silk dome tweeter, using a vented neodymium magnet structure placed in its center. Years of development made the flat cone possible, for Peter Gansterer the prerequisite of a realization of the optimum reproduction unit, a coax. Having 2 drivers at the same center (point source), results in otherwise inaccessible homogenous sound, but current technology of cone shaped midrange diaphragms disqualifies itself by unacceptable colorations of the tweeter by the cone induced hornloading. In our technology it enjoys a flat surrounding as usual in highend applications. Similarily, the midrange itself is uncomparable in its lack of coloration: Cone-shaped drivers reproduce upper midrange mainly by the inner part, which again suffers from the hornloadings distortion. At the same time our flat cone is ultra-stiff because of the ribs and the glassfibers, but exhibiting smooth musical sound due to the soft inner damping of the TPX material. The resulting piston like behaviour extends the frequency span, resulting in a range from 100 Hz to 20.000 Hz from the coax alone, defining it as the heart of the speaker, thereby being also the heart of music reproduction. We are that enthusiastic about this music center that we gave it its own cabinet. Above and Below While the top-unit handles mid and upper bass in its own enclosure, below this primary driver we built a separate large enclosure, featuring 3 proprietary bass drivers, each with our on proprietary 25 cm ultra rigid NAWI cones die cast by Spidercone-framing (finally assembled also by Eton Germany), handling the frequencies from 18 Hz to 100 Hz.The 3 units are working in parallel, while the upper bass operates in its own chamber. Finally, a remarkable Supertweeter, manufactured by the Danish high-end specialist ScanSpeak, tops the lower enclosure, extending response from 20.000 Hz upwards to 100.000 Hz. During development we revealed that piezo technology, which is used in the super-tweeter, has superior advantages above 20.000 Hz (optimum dispersion, acting like balloon inflating). Form follows function The total decoupling from the bass chambers allows the coax music center, in its dedicated housing, to reach the absolute optimum in clarity and naturalness in sound. The cabinetry is clearly evolved to make the most of this technology; the separatetop-unit enclosure is decoupled from the bass enclosure by a high-tec, drawn aluminium swiveljoint, which allows optimum room tuning by enable not only adjustment for rake, but also for toe-in.This allows you to create a sweet zone rather than a narrow sweet spot. By adjusting the dedicated coax point source cabinet and directing it like swivelling a flashlight you are able to easily create the sweet zone wherever wanted. Furthermore this allows for optimizing the sound to any room condition as many rooms will strongly benefit from the reduction of the disturbing early reflections which cannot properly be separated from the direct signal by the human ear. As always, the speakers´veneer and finish quality is to the highest of standards. "THE MUSIC" is available in true Piano Black version and Sapele veneer finish.System type 3-way system, employing integrated subwoofers
Frequency response 22 - 100.000 Hz Bass drivers 3 x 9" Vienna Acoustics Spidercones, manufactured by Eton Germany Midrange Coax driver 1 x 7" Vienna Acoustics Flat-Spider, 1 x 1" , handcoated vented neodym-magnet powered silk dome, manufactured by Eton Germany Supertweeter 0,5" ScanSpeak Sensitivity 91 dB Impedance 4 ohms Recommended power amplifiers from 50 to 500 watts Weight per speaker 180 Ibs. / 82 kgDimensions (WxHxD) 10.75 x 50.98 x 24.80 inches  273 x 1295 x 630 mm Finishes Sapele, Piano Black
Price  for  one  speaker .

VIENNA ACOUSTIC THE KISS                           Listino  ufficiale  €.   6.710,00      

The Kiss Revolution  Following the introduction of the flagship of our Klimt Series™, The Music, we present the smaller yet no compromise model, The Kiss. As its larger sibling, The Kiss is based on the same revolutionary and patented Flat-Spider-Cone coincident driver system. This new design is able to produce the Platonic ideal of the entire critical seven octave human vocal range and beyond in a single, phase coherent time plain without any of the normal horn loading and compression present in most conventional designs. Not only does this technical innovation free the sound of virtually all mechanical interference, it also allows for great placement freedom that is normally not experienced nor expected in a reference speaker system. The physics of this patented driver are an outgrowth of Vienna Acoustics’ longstanding use of reinforced cones designed to maximize strength at nodal multiples while keeping mass to a functional minimum. Flat cones actually do not provide stiffness, but we turned a disadvantage into an advantage by turning to our own patented Spider-Cone technology. This technology not only delivers the best weight – stiffness ratios of any construction, it also allows specific and calculated sound and impulse-response tuning by varying the quantity of ribs, their shape, their thickness, radial or concentric orientation and specified placements within critical positions. The only other construction close is in application is that of sandwich or honeycomb technology that has already proven to be too heavy for our application. Basis for the cone material is our X3P in a proprietary mix with other materials for the optimum result of stiffness and inner-damping ratio combed with our Spider-Cone light-weight-framing on the cone's rear wall. All cones are then produced by Vienna Acoustics in Austria. By using finite element analysis, Vienna Acoustics’ chief designer Peter Gansterer was able to create a radial-vaned structure cast into a flat cone that produces an enormously stiff, flat surface (thereby eliminating time and frequency specific phase shift across the driver surface). This is then combined with a special hand crafted silk dome tweeter using a special neodymium magnet structure placed in its center. Form follows function After the careful and time consuming creation of our new Flat-Spider-Cone coincident driver system, an appropriate partnering bass driver designed specifically for the demands of extended bass had to be created. For this process we again turned to both finite – element – analysis along with visiting our own patented Spider-Cone technology. The result is the creation of our entirely new patented 23cm ultra rigid NAWI cone. This new driver has extremely low mass while maintaining exceptional stiffness. By creating such a strong and low mass bass driver, we were then able to take full advantage of not only the highest grade crossover components, but also the purest crossover design employing a new proprietary, modified first order layout. This new crossover combined with our newly designed drivers offers the greatest phase coherency resulting in maintaining the greatest detail as well as offering greatest power and clarity in the lowest octaves. This further manifests itself in creating a reproduction of space that has thus far been absent from pedestal mounted loudspeakers. The cabinet technology necessary to take advantage of these technical breakthroughs in driver and crossover design required further careful consideration. The separate top-unit enclosure is decoupled from the bass enclosure by a special high-tech, drawn aluminum swivel joint which allows optimum room tuning by enabling not only adjustments for rake, but also for toe-in. The construction of the top unit or Music Center shares the same internal volume and is sealed as is the Music Center of our larger model within the Klimt Series™, The Music. Mated to this revolutionary driver system is a vented bass cabinet housing our newly developed bass driver. While initially striking, the fully decoupled Music Center allows the entire system to reach the absolute optimum in clarity and naturalness in sound by allowing careful optimization of both the bass cabinet while not compromising the mid and upper frequencies produced by the Music Center. Vienna Acoustics – The Art of Natural Sound™ As always, the speakers´veneer and finish quality is constructed to only the highest standards. The Kiss is available in a true Piano Black Lacquer version as well as a beautiful Sapele natural wood veneer version.System type 3-way system, employing integrated subwoofers Frequency response 36Hz – 20kHz Bass drivers 23cm Patented Vienna Acoustics Spider-Cone Midrange – Tweeter Coincident 18cm Patented Vienna Acoustics Flat-Spider-Cone midrange with 2.5cm hand crafted neodymium center vented silk dome tweeter Sensitivity 89db Impedance 4 ohms Recommended power 50 – 180 watts Speaker Weight 43kg / 95 lbs each  Speaker Dimensions (WxHxD) 273mm/10.75" x 540mm/21.3" x 540mm/21.3"  Stand Weight 23kg / 50 lbs each Stand Dimensions (WxHxD) 273mm/10.75" x 730mm/29" x 530mm/21" (including spikes)  Finishes Sapele, Piano Black.Price  for  one  speaker .

VIENNA ACOUSTIC POETRY                            Listino  ufficiale  €.    8.250,00      

Poetry In this new era where the promise of truly high resolution audio playback has finally become a reality in home theater, we have created Poetry. Named for one of the most famous “movements” within Gustav Klimt´s, Beethoven Freeze, Poetry aims to set a new standard. Capable of being used in a Left – Center – Right configuration or additionally as surround channels, Poetry possesses an ability to produce the proscribed full range frequency range without dynamic limitation. As a center channel only, it was designed to offer proper matching with our flagship model from The Klimt Series, The Music, without compromise. Created around the same patented Flat-Spider-Cone™ coincident driver system that offers vocal clarity and dispersion before not possible, there is the same hand crafted silk dome tweeter at its center. On either side of the sealed enclosure housing this driver system are our patented Spider-Cone™ woofers each individually vented via large rear mounted ports. Vienna Acoustics – The Art of Natural Sound™ystem type 3-way system, employing integrated subwoofers
Frequency response 32Hz – 20kHz Bass drivers 2 x 23cm Patented Vienna Acoustics Spider-Cone Midrange – Tweeter Coincident 18cm Patented Vienna Acoustics Flat-Spider-Cone midrange with 2.5cm hand crafted neodymium center vented silk dome tweeterSensitivity 90dbImpedance 8 ohms Recommended power 50 – 300 wattsSpeaker Weight 50kg / 110lbsSpeaker Dimensions (WxHxD) 920mm/36.25” x 270mm/10.75” x 550mm/21.75”Stand Weight 40kg / 90lbs  Stand Dimensions (WxHxD) 920mm/36.25” x 580mm/17.75” x 580mm/23” (including spikes) Finishes Sapeli and Piano Black Lacquer.
Price  for  one  speaker .

 

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