VIVID TECHNOLOGIES
At Vivid Audio, our team represents more than four decades of changing the way
our customers experience sound. Our loudspeakers are designed to produce a
perfectly transparent, symmetrical, open sound, free from colour, resonance and
reflection, that connects you, the listener, seamlessly with the performer. We’re
an engineering-led company, applying our unique acoustics expertise, technical
skill and design creativity to develop truly ground-breaking products. Our
customers include dedicated audiophiles, discerning music lovers, home
entertainment aficionados and those who recognise, expect and demand the very
best in everything. Welcome to Vivid Audio – and the world as you’ve never heard
it before.
CDP - CATENARY DOME PROFILE
The diaphragm is a critical factor in loudspeaker performance. As it moves, it
flexes, potentially creating the tinny, metallic resonance known as break-up.
It’s possible to reduce this effect by damping, but it’s always a compromise.
So, as engineers, we figured: instead of spending time and adding complexity
trying to correct it, why not eliminate the problem altogether? Our first
advance was to apply a discovery made by designer Laurence Dickie more than 20
years ago. Adding a ring of high-modulus carbon fibre around the edge of the
anodised aluminium alloy dome adds stiffness, and pushes break-up frequencies
significantly higher. The real breakthrough came when we combined this technique
with a reoptimized dome profile. Using finite element analysis (FEA) we
discovered that a catenary curve – the shape naturally described by a length of
chain suspended between two points – takes first break-up modes almost one
octave higher than in a conventional spherical dome. This near-doubling in
performance guarantees an unrivalled purity of sound, particularly in the
crucial midrange band. We use this unique, patented dome profile in all Vivid
Audio upper-mid and high frequency drivers.
TTL - TAPERED TUBE LOADING
For the listener, the sound produced from the front of the loudspeaker is
obviously what matters most. For us as engineers, the issue of the sound coming
from the back is just as important. Unless it’s contained or dissipated, it will
reflect off the back wall of the cabinet and interfere with the forward
radiation, adding unwanted colour and resonance. Our solution is Tapered Tube
Loading (TTL) which is designed to absorb, rather than just contain, the
rearward sound. The driver is coupled to a tube which narrows exponentially, and
is filled with wool fibre. The taper naturally compresses the damping material,
so that by the end of the tube, sound is absorbed entirely; none is reflected
back though the diaphragm. TTL is now our standard solution for all Vivid Audio
mid- and high-frequency units.
SFM - SUPER FLUX MAGNETS
One of the secrets behind our tapered tube loading technology’s outstanding
performance is our innovative Super Flux Magnet. An essential requirement in the
design of drivers for use with tapered tube absorbers is that they have a large
central hole. The rear-mounted radial magnet facilitates this while maintaining
the smallest outside diameter so the drivers can be close together. Our
super-flux magnets feature a highly focussed field which give our D26 tweeter a
peak flux of 2.5T – roughly twice that found on most 25mm tweeters – and an
efficiency of 96dB/W. Another small but powerful example of our attention to
detail - and refusal to compromise.
HVF - HIGHLY VENTED FORMER
To maximise magnetic flux, the gap between the coil and pole in a loudspeaker
driver needs to be as narrow as possible (in ours, it’s barely a third of a
millimetre across). As the coil former moves up and down in this gap like a
piston in a cylinder, air is compressed behind the dust dome, creating drag and
damping the motion of the cone, especially at low frequencies. The simplest
solution is to make a hole in the magnet pole - but this produces resonance. A
more refined approach is a row of holes in the coil former. This pushes up the
resonance and reduces its sharpness (or Q-factor), but creates audible noise as
the air passes through the holes. We’ve taken this a step further with our
Highly Vented Former (HVF) in which almost half the surface area is made up of
holes. This moves the resonance right out of band and lowers the Q-factor to the
point where it’s almost undetectable; it also eliminates air noise, offering a
near-perfect solution to an age-old problem.
HAC - HIGHLY ALIGNED CHASSIS
In loudspeaker drivers, the magnet, suspensions, voice coil and cone assembly
are all held within the chassis. The key to a good chassis design is ensuring
there’s nothing behind the cone which might cause resonance, reflection or any
other disturbance of the sound coming from the rear of the diaphragm. Any
obstacles will affect the cone’s free motion, and thus the sound coming from the
front of the driver. In the early days, a chassis was little more than a pressed
metal dish with holes punched in it: not surprisingly, this caused serious
problems of both resonance and reflection. Today’s more refined chassis (including
ours) are made from diecast aluminium; however, most manufacturers use broad
struts, since this simplifies the tooling. In contrast, the 12 struts in a Vivid
Audio chassis have a uniquely narrow aspect ratio, and are cleverly aligned to
minimise obstruction. For example, our C125 low-mid driver has struts just 3mm
wide; and with a total area of just 10% of the cone area, they’re acoustically
all-but invisible. As well as their narrow frontal area, they’re also unusually
deep. This has the added benefit of almost tripling the total chassis’ radiating
area, making it a highly efficient finned heat sink for the motor assembly,
reducing power compression as the drive level is increased.
RCCM - REACTION CANCELLING COMPLIANT MOUNT
Newton’s Third Law of Motion famously states that ‘every action produces an
equal and opposite reaction’ – a principle that applies to all mechanical
systems, including loudspeaker motors. As the cone is pushed forwards by the
current in the coil, it exerts an equal and opposite force on the magnet,
causing it to move. In itself, this motion is harmless: the problems arise if
the driver is coupled to the cabinet, which acts as a sounding-board and creates
resonance and sound colouration. At Vivid Audio, we approach this issue in two
ways. Our mid- and high-frequency units are suspended on silicone O-rings, which
decouple the driver and the cabinet, preventing them exciting structural
resonances.
RCP - REACTION CANCELLING PORTS
Newton’s Third Law is also obeyed at the loudspeaker ports. Here, the air
rushing in and out produces an equal and opposite reaction force on the cabinet
making the quality of the port output dependent on the way in which the
enclosure is mounted on the floor. We seek straightforward, elegant solutions
wherever possible, and so developed our Reaction Cancelling Ports (RCP), which
is simply two opposing ports that cancel the cabinet reaction completely.
ACOUSTICALLY DESIGNED CABINETS
As engineers, we’ve always been fascinated by composite materials. And it’s
their remarkable versatility and strength-to-weight that makes manufacturing our
radically-shaped cabinets possible. We make them all entirely in-house, by hand,
giving us complete control over materials, tooling, production, finishing and
quality. One of the key features (indeed, selling points) of competing systems
is their sheer weight. And in loudspeakers where you have front-mounted bass
drivers, a heavy base is essential to prevent the cabinet from moving around.
With our Reaction Cancelling Compliant Mount, we don’t require weight (even our
flagship GIYA G1 Spirit weighs just 80kg) but we do need stiffness. So, we build
our cabinets using a vacuum-infused glass-reinforced composite, which allows us
to add rigidity exactly where it’s needed.
I diffusori KAYA potevano essere realizzati
solo da Vivid Audio. Quei profili sinuosi. La tecnologia brevettata.
Soprattutto, quella sorprendente qualità del suono, libera da ogni risonanza e
colorazione, che spalanca la finestra sull'esecuzione. E, naturalmente, sono
completamente rivoluzionari, a modo loro discreto. Linee morbide e pulite e un
suono dettagliato e focalizzato che ti attira, attira la tua attenzione. Facile
da vivere. Veramente stimolante per la vita. ACCESSIBILE ED STRAORDINARIO La
gamma KAYA è l'autentica esperienza di ascolto di Vivid Audio, resa più
accessibile. Questi altoparlanti a tre e due vie riprendono tutta la nostra
tecnologia brevettata e la racchiudono in custodie eleganti e compatte: perfette
per le stanze in cui il sistema audio fa parte dello spazio, piuttosto che la
caratteristica principale, e ottimo per l'home theater. La posizione del tweeter
e del driver di fascia media conferisce agli altoparlanti KAYA un suono più
direzionale, portandoti più a fondo nell'esecuzione. E una volta che sei lì,
puoi crogiolarti in ogni dettaglio e il campo sonoro continuo e ordinato creato
dal nostro approccio unico guidato dall'ingegneria. Nello sviluppo della gamma
Kaya Vivid Audio ha attinto all'esperienza e alla creatività dei designer
industriali Matt Longbottom e Christoph Hermann. Per loro, Kaya è stata una
sfida di design perfetta: creare un linguaggio di progettazione che si basa
sulla filosofia fondamentale di Vivid Audio di utilizzare il suono per informare
il design, ma può rimanere calmo e accessibile in tutta la famiglia di prodotti.
Gran parte del lavoro di Matt Paciock è stato influenzato dall'uso di tecniche
di modellazione di superfici per portare bellezza e dettagli nei prodotti
fabbricati industrialmente. Questa serie di diffusori si basa sulla sua
esperienza nella progettazione di mobili in cui il contatto umano con il design
è al massimo naturale. Inoltre Christoph Hermann ha dimostrato la sua esperienza
nel design generativo per ottimizzare le griglie dei diffusori riducendo al
minimo le ostruzioni del materiale. Insieme hanno creato questa serie di
diffusori splendidamente scolpiti, informati digitalmente ma altamente
ingegnerizzati.
KAYA loudspeakers could only be made by Vivid
Audio. Those curvaceous profiles. The patented technology. Above all, that
astonishing sound quality, free from all resonance and coloration, that opens
the window wide on the performance. And of course, they’re completely
revolutionary, in their own understated way. Smooth, clean lines, and a detailed,
focused sound that draws you in, holds your attention. Easy to live with. Truly
life-enhancing.ACCESSIBLE AND EXTRAORDINARY The KAYA range is the authentic
Vivid Audio listening experience, made more accessible. These three and two-way
loudspeakers take all our patented technology and package it in sleek, compact
enclosures: perfect for rooms where the sound system is part of the space,
rather than the main feature, and great for home theatre. The position of the
tweeter and mid-range driver gives KAYA speakers a more directional sound,
taking you deeper into the performance. And once you’re in there, you can revel
in every detail, and the seamless, uncluttered sound field created by our unique
engineering-led approach.In developing the Kaya range Vivid Audio drew on the
experience and creativity of Industrial designers Matt Longbottom and Christoph
Hermann. For them, Kaya has been a perfect Design challenge - create a design
language that builds upon Vivid Audio's core philosophy of using sound to inform
design - but can remain calm and approachable throughout the diverse family of
products. Much of Matt Longbottom's work has been influenced by the use of
surface modelling techniques to bring beauty and detail into industrially
manufactured products. This speaker series draws from his experience in
furniture design where human contact with design is at its most natural. In
addition Christoph Hermann demonstrated his expertise in generative design to
optimise the speaker grilles by reducing material obstruction to an absolute
minimum. Together they created this beautifully sculpted, digitally informed yet
highly engineered speaker series.
 
VIVID AUDIO KAYA
K25 Listino ufficiale
€. 5.750,00
Kaya 25 Diffusori Main - Frontali Serie Kaya
Diffusore da pavimento a 2 vie in bass reflex, 2 altoparlanti in alluminio.
Potenza applicabile fino a 150W. Impedenza 8ohm. Frequenza: 42-39000Hz,
Sensibilità 89dB. Progettata per ambienti di dimensioni più contenute e montata
su un’estesa base di alluminio di ottima qualità, Kaya 25 riproduce un suono ben
dettagliato ad un livello inaspettato per le relativamente piccole dimensioni.
Sebbene sia un sistema a due vie, Kaya 25 benefica dell’esclusivo accordo reflex
Vivid Tapered Tube per una pulita ed estesa resa della gamma bassa: nascosto
all’interno della struttura esterna in materiale composito ed in contrasto con
quanto presente nei modelli più grandi, la tromba esponenziale assorbente è
ingegnosamente nascosta nel supporto del diffusore. Un unico altoparlante C125D
dalla membrana in lega di alluminio riproduce sia le frequenze della gamma bassa
e media e, come il driver C100SE montato sui modelli più grandi, è dotato di un
magnete radiale che assicura un suono trasparente e dettagliato sino all’estremo
del suo campo di utilizzo. Il tweeter D26 è installato in una poco profonda
guida d’onda per accordarsi con la dispersione del C125D. I diffusori sono
disponibili con finitura standard Oyster Matte - Piano Black - Pearl White. E'
possibile l'esecuzione personalizzata in qualsiasi colore RAL+1.700,00 .Specifiche
: sistema a 2 vie 2 altoparlanti -Materiale composito sandwich rinforzato
con vetro Soric-core Colore del cabinet Piano, Perla, Oyster Opaco Colore del
cabinet su misura Opzioni colore personalizzate disponibili su richiesta Unità
di azionamento HF: D26 - 26mm cupola conica con tubo caricato conica LF: C125D -
1 x cono in lega da 125 mm Caricamento dei bassi Valvola conica potenziata con
riflesso dei bassi potenziato Sensibilità 85dB 2,83VRMS / 1m Impedenza nominale
(�) 8 Ohm (7,5 Ohm Min) Gamma di frequenza (Hz) 40Hz-25kHz (-6dB) Prima modalità
di rottura D26 44kHz armonica distorsione <0,5% sulla gamma di frequenza
(seconda e terza armonica) Frequenza di crossover (Hz) 3,0 kHz Potenza
dell'amplificatore consigliata 25 W - 125 W Dimensioni dell'altoparlante 1160
(h) x 263 (w) x 340 (d) mm Peso 24 kg Dimensioni di spedizione 1245 (l ) x
680 (l) x 450 (h) mm Peso 30 kg (cadauna)
KAYA
25 Designed for smaller spaces, KAYA 25 delivers a fine-detailed, transparent
sound on a scale that belies its compact dimensions. Drawing visual inspiration
from our bestselling OVAL range, and sharing technology with our all-conquering
GIYA loudspeakers, KAYA 25 is the most accessible way to bring the
transformative Vivid Audio approach to the music you love the most.A NEW
LISTENING EXPERIENCE The KAYA 25 is a two-way speaker, with the alloy-coned
C125D drive unit handling both bass and mid frequencies. Adopting a technology
previously used only in our GIYA bass drivers, the driver is fitted with a
radial rare-earth magnet, which ensures clean, transparent sound right to the
top of its range. The laws of physics (which we’re bound to obey) dictate that
at the upper end of the frequency range, the sound becomes more focused and
directional. To match this, the D26 tweeter is mounted in a shallow waveguide,
ensuring that the sound field remains completely seamless. The effect is a
compelling listening experience that holds your attention and draws you into the
music: perfect for more concentrated listening, and enjoying music with nuance,
depth and complexity.A SLIMLINE PROFILE WITH HIDDEN DEPTHS Although it’s a
two-way system, KAYA 25 still benefits from the same patented Tapered Tube bass
loading you’ll find in the larger members of the KAYA family, as well as our
more technically complex GIYA loudspeakers. The difference is that in KAYA 25,
the exponential absorber horn is cleverly concealed in the stand. This gives the
loudspeaker a slim, unobtrusive outline that finds its place effortlessly in
almost any setting: indeed, the name KAYA is the Zulu word for ‘home’.If the
profile of KAYA 25 seems familiar, it may be because it recalls our bestselling
OVAL B1 Decade. We’d always had it in mind to try wrapping the absorber horn
into the OVAL stand, as it seemed such a logical development: with KAYA 25, we’ve
finally done it – and it works as beautifully as we suspected it would. The
result is bass reproduction with the same clarity and articulation as both the
larger KAYA models and our GIYA loudspeakers: every note is perfectly distinct
and free from blurring, so you get to enjoy it precisely as it was played.Specification
Configuration 2 way 2 driver system Cabinet material Glass reinforced
Soric-cored sandwich composite Cabinet colour Piano, Pearl, Oyster Matte Bespoke
cabinet colour Bespoke colour options available on request Drive units HF: D26 -
26mm tapered tube loaded alloy dome LF: C125D - 1 x 125mm alloy cone Bass
Loading Exponentially tapered tube enhanced bass reflex Sensitivity 85dB
2.83VRMS/1m Nominal impedance (�) 8 Ohm (7.5 Ohm Min) Frequency range (Hz) 40Hz-
25kHz (-6dB) First D26 break-up mode 44kHz Harmonic distortion <0.5% over
frequency range (2nd and 3rd harmonics) Crossover frequency (Hz) 3.0kHz
Recommended amplifier power 25W- 125W Loudspeaker dimensions 1160(h) x 263(w) x
340(d) mm MASS 24kg Shipping dimensions 1245(l) x 680(w) x 450(h) mm MASS 60kg
(pair) Price for
one speaker
VIVID AUDIO KAYA
K45 Listino ufficiale
€. 9.500,00
Diffusore da pavimento a 3 vie in bass reflex,
4 altoparlanti in alluminio. Potenza applicabile fino a 300W. Impedenza 4ohm.
Frequenza: 39-33000Hz, Sensibilità 87dB. In virtù dell’utilizzo di altoparlanti
in configurazione “reaction cancelling” e inseriti in una mobile costruito in
materiale composito e con l’esclusivo accordo reflex brevettato “Vivid Tube
Tapered”, Kaya 45 è caratterizzata da una gamma bassa ricca ma eccezionalmente
controllata. Le frequenze della gamma media sono riprodotte dal nostro nuovo
altoparlante C100SE (dotato di un magnete radiale vicinissimo alla bobina), che
libera le frequenze alte e riduce la distorsione, ed è inserito in una propria
tromba esponenziale assorbente. Ripiegando lo sviluppo della tromba su se
stessa, abbiamo ridotto la sua lunghezza del 40% per adattarla alla linea del
mobile senza comprometterne le prestazioni. Le note più alte sono riprodotte dal
noto ed apprezzato Tweeter D26 la cui cupola (in allumino) a sezione catenaria e
rinforzata con trame di carbonio assicura un perfetto funzionamento a pistone
fino a 40Khz, a garanzia di chiarezza e precisione senza pari. I diffusori sono
disponibili con finitura standard Oyster Matte - Piano Black - Pearl White. E'
possibile l'esecuzione personalizzata in qualsiasi colore RAL+1.700,00.Specifiche
: sistema a 3 vie 4 altoparlanti -Materiale del cabinet Materiale
composito sandwich rinforzato con vetro Soric-core Colore del cabinet Piano,
Perla, Oyster Opaco Colore del cabinet su misura Opzioni colore personalizzate
disponibili su richiesta Unità di trasmissione HF: D26 - 26mm cupola conica con
tubo caricato conica MF: C100se - 100mm Cono in lega caricato a tubo conicoLF:
C125L - 2 cono in lega da 125 mm Caricamento dei bassi Riflessione dei bassi
potenziata con tubo conico esponenziale Sensibilità 87dB 2,83VRMS / 1m Impedenza
nominale (�) 6 Ohm (2,8 Ohm Min) Gamma di frequenza (Hz) 37Hz- 25kHz
(-6dB) Prima modalità di interruzione D26 44kHz Distorsione armonica <0,5% su
gamma di frequenza (seconda e terza armonica) Frequenze di crossover (Hz) 300Hz
e 3kHz Potenza consigliata dell'amplificatore 25W - 250W Dimensioni
dell'altoparlante 1153 (h) x 298 (w) x 385 (d ) mm Peso 25 kg Dimensioni di
spedizione 1245 (l) x 680 (l) x 450 (h) mm Peso 30 kg (cadauna)
The KAYA 45 is
designed for everyday spaces, as well as dedicated listening rooms; to be part
of the room, not necessarily its principal feature. Wherever you choose to
locate it, KAYA 45 draws you deep into the performance with its focused, natural
sound, and reveals your favourite music in the kind of detail you never imagined
possible.NEW LOOK. SAME SOUND.One of the defining characters of our loudspeakers
is the incredible clarity and articulation in the bass. Gone is the muddiness,
the blurring of the notes: all is perfectly separate and distinct. And that
matters. After all, as Debussy (may have) said: music is the spaces between the
notes. That clarity is the result of our patented absorber horn, which
eliminates resonances and coloration. In the GIYA series, it curves over the top
of the enclosure, creating that unmistakeable outline. It’s still present, for
the same reasons, in the KAYA 45, but folded back on itself, so it fits neatly
inside. So you can enjoy the same extraordinary sound, from a loudspeaker that’s
also easy on the eye.The KAYA 45 is a direct descendant of our GIYA loudspeakers,
and shares much of the same technology. This includes our Super Flux Magnets in
the driver units. These radial magnets, still very unusual in commercial
loudspeakers, naturally have a large hole in the centre, which allows the sound
to flow naturally from the diaphragm into the absorber, free from resonances and
reflections. On GIYA models, we use these magnets in the bass drivers: for KAYA,
we’ve fitted them to the mind-range driver, too. Here, they reduce distortion
and improve performance in the higher frequencies. And prove that you really can
make a good thing even better.KAYA 45 can easily fill the largest room with
sound. Compared to the four-way GIYA, it produces a slightly more directional
sound field; this is largely a function of being a three-way loudspeaker, with
the tweeter sound projected forwards rather than sideways. As a consequence, the
sound is more focused, lending itself to more concentrated listening it’s also
absolutely brilliant for home theatre, where the precise positioning of the
sound source is a central element of the overall experience.Specification
Configuration 3 way 4 driver system Cabinet material Glass reinforced
Soric-cored sandwich composite Cabinet colour Piano, Pearl, Oyster Matte Bespoke
cabinet colour Bespoke colour options available on request Drive units HF: D26 -
26mm tapered tube loaded alloy dome MF: C100se - 100mm tapered tube loaded alloy
coneLF: C125L - 2 x 125mm alloy cone Bass Loading Exponentially tapered tube
enhanced bass reflexSensitivity 87dB 2.83VRMS/1m Nominal impedance (�) 6 Ohm
(2.8 Ohm Min) Frequency range (Hz) 37Hz- 25kHz (-6dB) First D26 break-up mode
44kHz Harmonic distortion <0.5% over frequency range (2nd and 3rd harmonics)
Crossover frequencies (Hz) 300Hz and 3kHz Recommended amplifier power 25W- 250W
Loudspeaker dimensions 1153(h) x 298(w) x 385(d) mm MASS 25kg Shipping
dimensions 1245(l) x 680(w) x 450(h) mm MASS 60kg (pair)
Price for one speaker
VIVID AUDIO KAYA
K90 Listino ufficiale
€. 14.500,00
KAYA K90 Diffusori Main - Frontali Serie Kaya Diffusore da pavimento a 3 vie in
bass reflex, 6 altoparlanti in alluminio. Potenza applicabile fino a 600W.
Impedenza 6ohm. Frequenza: 38-33000Hz, Sensibilità 89dB. Il modello top di
questa linea è in grado di insonorizzare perfettamente anche ambienti molto
grandi con una qualità sonora naturale maestosa. Questi diffusori a tre
vie, coniugano molte delle nostre tecnologie più esclusive con una linea sottile
ed un profilo poco intrusivo, che permettono una facile convivenza e sono una
gioia per l’ascolto.Diffusore da pavimento a 3 vie in bass reflex, 6
altoparlanti in alluminio. Potenza applicabile fino a 600W. Impedenza 6ohm.
Frequenza: 38-33000Hz, MSensibilità 89dB. Colori standard: Oyster Matte, Piano
Black o Pearl White. Colore speciale personalizzato RAL +
1.700,00 euro Specifiche : sistema a 4 vie 6 altoparlanti - Materiale
del cabinet Materiale composito sandwich rinforzato con vetro Soric-core Colore
del mobile Piano, Perla, Oyster Opaco Colore del mobile su misura Opzioni di
colore su misura disponibili su richiesta Unità guida HF: D26 - Cupola conica
con tubo conico da 26mm conica MF: C100se - 100mm conica cono in lega caricato a
tubo LF: C125L - 4 coni in lega da 125 mm Caricamento dei bassi Riflessione dei
bassi potenziata con tubo conico esponenziale Sensibilità 90dB 2,83VRMS / 1m
Impedenza nominale (�) 6 Ohm (4 Ohm Min) Gamma di frequenza (Hz) 35Hz- 25kHz
(-6dB) Prima modalità di interruzione D26 44kHz Distorsione armonica <0,5% sulla
gamma di frequenza (seconda e terza armonica) Frequenze di crossover (Hz) 300Hz
e 3kHz Potenza consigliata dell'amplificatore 25W- 500W Dimensioni
dell'altoparlante 1202 (h) x 370 (w) x 540 ( d) mm Peso 38 kg Dimensioni di
spedizione 1245 (l) x 430 (l) x 590 (h) mm Peso 55kg (ciascuno)
KAYA 90 mOur top-of-the-range KAYA model, the
KAYA 90 delivers an effortless, powerful and focused sound that connects you
directly and intimately with the music. These three-way floor-standing
loudspeakers combine some of our very best audio technology with a slim,
unobtrusive profile, making them easy to live with, as well as a joy to listen
to.Specification Configuration 3 way 6 driver system Cabinet material Glass
reinforced Soric-cored sandwich composite Cabinet colour Piano, Pearl, Oyster
Matte Bespoke cabinet colour Bespoke colour options available on requestDrive
units HF: D26 - 26mm tapered tube loaded alloy dome MF: C100se - 100mm tapered
tube loaded alloy cone LF: C125L - 4 x 125mm alloy cone Bass Loading
Exponentially tapered tube enhanced bass reflex Sensitivity 90dB
2.83VRMS/1mNominal impedance (�) 6 Ohm (4 Ohm Min) Frequency range (Hz) 35Hz-
25kHz (-6dB) First D26 break-up mode 44kHz Harmonic distortion <0.5% over
frequency range (2nd and 3rd harmonics) Cross over frequencies (Hz) 300Hz and
3kHz Recommended amplifier power 25W- 500W Loudspeaker dimensions 1202(h) x
370(w) x 540(d) mm MASS 38 kg Shipping dimensions 1245(l) x 430(w) x 590(h) mm
MASS 55kg (each) Price
for one speaker
EFFORTLESS, TRANSPARENT SOUND FROM THE WORLD’S
MOST RECOGNISABLE LOUDSPEAKERS
We’re guessing you’ve never seen speakers like them; and you’ve definitely never
heard speakers like them. The GIYA range is a direct, deliberate challenge to
every aesthetic and acoustic convention. But it’s a rebel with a cause: there’s
a cool, precise engineering logic behind every line and detail. And if you can’t
take your eyes off them, imagine the effect on your ears. Massive, room-filling
yet amazingly laid-back sound, revealing hidden subtleties and nuances in the
music you love most. Embrace the extraordinary.THE ULTIMATE EXPERIENCE Our
flagship GIYA range is the choice of committed audiophiles and connoisseurs
worldwide. The radical shape is defined by proven acoustic principles taken to
their logical conclusions, untethered by conventional wisdom and construction
techniques. Every element of the design is the products of pioneering innovation,
from our patented hand-built drive units to our advanced vacuum infused
composite enclosure. Every detail has been considered and refined in our
relentless quest to eliminate resonances and reflections – and enhance your
listening pleasure.NATURE KNOWS BEST The purpose of GIYA loudspeakers is simple:
to give you the clearest possible window on the music. No distortion or
coloration in the sound, nothing to detract from the performance. Perfect
clarity and precision in every note and breath. Even tracks you’ve heard a
million times sound fresh, full of new details to discover and enjoy. Achieving
it requires some truly remarkable, patented technology. And its true genius lies
in the fact that you’ll scarcely notice it at work.
VIVID AUDIO GIYA
G4 Serie 2 Listino ufficiale
€. 17.500,00
Giya G4 Serie 2 Diffusori Main - Frontali
Serie Giya Diffusore da pavimento a 4 vie in bass reflex, 5 altoparlanti in
alluminio. Potenza applicabile fino a 400W. Impedenza 6ohm. Frequenza:
39-33000Hz, Sensibilità 86dB. Crossover con componentistica selezionata. Ora
disponibile anche l’ultima nata della serie Giya. Concepita per fornire le
prestazioni esclusive della serie Giya in ambienti di dimensioni contenute, la
Giya G4 Serie 2 ripropone tutti gli esclusivi principi costruttivi della serie
Giya in una struttura alta solo un metro. I diffusori sono disponibili con
finitura standard Piano Black o Pearl White. E' possibile l'esecuzione
personalizzata in qualsiasi colore RAL.Specifica Configurazione Sistema di
guida a 4 vie 5 Materiale del cabinet Materiale composito sandwich rinforzato
con vetro balsa rinforzato Colore standard del cabinet Colore automobilistico
multi-componente altamente lucido Colore del cabinet su misura disponibile su
richiesta Unità di azionamento HF: D26 - Unità a cupola metallica da 26 mm con
caricamento del tubo conico Metà: D50 - Unità dome in metallo da 50 mm con
caricamento del tubo conico Inferiore inferiore: C100S— Driver conico in metallo
da 100 mm con caricamento del tubo conico LF: C125L - 2 unità cono in lega con
design del motore a corto gap a bobina corta 2,83 Volt a 1,0 metri sull'asse
Impedenza nominale (�) 6 nominale, 4 minimo, bassa reattanza Gamma di frequenza
(Hz) - 6 punti dB: 36 –36.000 Hz Prima modalità di interruzione D26 44.000 Hz
Risposta in frequenza 39 - 33.000 +/- 2 dB sull'asse di riferimento Distorsione
armonica <0,5% sulla gamma di frequenze (seconda e terza armonica) Frequenze di
crossover (Hz) 250, 1000, 4000 Gestione della potenza (programma musicale) 400
watt rms Alto dimensioni dei diffusori 1011 mm (H) x 300 mm (L) x 460 mm (P)
Peso netto 32 kg
GIYA G4 With the G4
loudspeaker, you can enjoy the authentic GIYA sound and aesthetic in even the
smallest space. We’ve taken the same world-class technology you’ll find in our
larger GIYA loudspeakers and meticulously housed it in an enclosure just one
metre high. The result is a loudspeaker with real character and presence, that
delivers power and performance far beyond its modest dimensions. The true GIYA
listening experience: condensed, not compromised.THE DRIVE FOR PERFECTION
Despite its modest dimensions, the GIYA G4 is a true four-way loudspeaker, with
five drivers all designed and made entirely in-house. The C100S low mid-range
and twin C125L bass drivers are specially designed to produce the maximum output
from their compact cones and chassis. High and mid frequencies are handled by
the same D26 and D50 drivers, with our patented Tapered Tube loading, as the
rest of the GIYA family. The transparent, accurate and wholly natural sound is
everything you’d expect: what might surprise you is the sheer weight and power
of that sound.The bass performance of a loudspeaker is a function of cabinet
volume and driver dimensions. Yet even as the smallest member of the GIYA
family, the G4 produces bass with astonishing weight and power. If you want a
bass you can feel, and that will wake up the neighbours and shake pictures off
the wall, the G4 will deliver; no problem. But there’s more to bass than just
how loud it is. The G4 produces the same incredibly tight, articulate bass, free
from distortion and blurring, as the other GIYA models – and so effortlessly and
naturally that you can listen for as long as you like without fatigue.With the
GIYA G4, having a small space is no barrier to enjoying your favourite music in
all its depth, detail and emotional power. The GIYA philosophy is to provide the
clearest window on the performance. The G4’s distinctive enclosure, made from a
GRP-and-balsa-wood composite sandwich, is designed to eliminate the reflections
and resonances that cloud and colour the music. No straight lines, hard edges or
angles: just the same smooth curves you find in nature, allowing the sound to
travel cleanly and uninterrupted.Specification Configuration 4 way 5 driver
system Cabinet material Glass reinforced balsa cored sandwich composite Standard
cabinet colour Multi component high gloss automotive Bespoke cabinet colour
Bespoke colour options available on request Drive units HF: D26 — 26mm metal
dome unit with Tapered Tube loading Mid: D50 — 50mm metal dome unit with Tapered
Tube loading Lower Mid: C100S— 100mm metal coned driver with Tapered Tube
loading LF: C125L — 2 x alloy cone units with short-coil long-gap motor design
Bass loading Exponentially tapered tube enhanced bass reflex Sensitivity 86dB @
2.83Vrms at 1.0 meter on axis Nominal impedance (�) 6 nominal, 4 minimum, low
reactance Frequency range (Hz) - 6 dB points: 36 –36,000 Hz First D26 Break Up
mode 44,000 Hz Frequency response 39 – 33,000 +/- 2 dB on reference axis
Harmonic distortion < 0.5% over frequency range (2nd and 3rd harmonics) Cross
over frequencies (Hz) 250, 1000, 4000 Power handling (music program) 400 watts
rms Loudspeaker dimensions 1011mm (H) x 300mm (W) x 460mm (D) Net weight 32kg
Price for one speaker
VIVID AUDIO GIYA
G3 Serie 2 Listino ufficiale
€. 22.500,00
Giya G3 Serie 2 Diffusori Main - Frontali Serie
Giya Diffusore da pavimento a 4 vie in bass reflex, 5 altoparlanti in alluminio.
Potenza applicabile fino a 800W. Impedenza 6ohm. Frequenza: 36-33000Hz,
Sensibilità 87dB. Crossover con componentistica selezionata. Racchiuso in un
volume di poco più di un quarto di quella della Giya G1 Serie 2, la nuova Vivid
Audio Giya G3 Serie 2 è la risposta a coloro che cercano la purezza di
riproduzione della serie Giya in una configurazione facilmente collocabile in un
ambiente domestico più tipico. Una coppia di woofer di nuova concezione pongono
le fondamenta su cui si è costruito membro di mezzo della famiglia. Mantenendo
la struttura del driver e i profili di sospensione delle sorelle più grandi, il
C135 è ben in grado di produrre energia di bassi nonostante il suo diametro
ridotto. La parte superiore della cassa mostra la tipica arricciatura
dell’assorbitore per eliminare completamente la parte superiore da risonanze e
fornire bassi più precisi. In ogni banda di frequenza la Giya G3 Serie 2 è
praticamente identica in termini di prestazioni a Giya G1 Serie 2 e Giya G2
Serie 2: il cono C125 gestisce le medio-basse frequenze, mentre i D50 e D26 a
cupola coprino i medi e gli alti, rispettivamente, con caricamento conico
indipendente. I diffusori sono disponibili con finitura standard Piano Black o
Pearl White. E' possibile l'esecuzione personalizzata in qualsiasi colore RAL.specificazione
Configurazione sistema di driver a 4 vie 5
Materiale del mobile Materiale composito sandwich rinforzato con vetro di balsa
Colore standard dell'armadietto Automobilistico lucido multicomponente
Colore mobile su misura Opzioni colore su misura disponibili su richiesta
Unità di azionamento HF: D26 - Unità a cupola in metallo da 26 mm con
caricamento del tubo conico
Metà: D50 - Unità a cupola in metallo da 50 mm con caricamento del tubo conico
Parte inferiore inferiore: C125S - 125 mm con caricamento del tubo conico
Bassi: C135— 2 unità cono in lega da 135 mm con gap corto a bobina corta
progettazione del motore
Sensibilità 87 dB a 2,83 Volt a 1,0 metri sull'asse
Impedenza (�) 6 nominale, 4 minima, bassa reattanza
Gamma di frequenza (Hz) - punti 6dB: 33 - 36.000 Hz
Prima modalità Break Up D26: 44.000 Hz
Risposta in frequenza 36 - 33.000Hz +/- 2 dB sull'asse di riferimento
Distorsione armonica <0,5% sulla gamma di frequenza
(2a e 3a armonica)
Frequenze di crossover (Hz) 220, 880, 3500
Gestione della potenza (programma musicale) 800
watt rms
Dimensioni altoparlanti 1161mm (H) x 341mm (W) x 578mm (D)
Peso netto 36 kg
GREAT
THINGS IN SMALL PACKAGES
With its distinctive composite enclosure, the G3 is unmistakeably part of the
GIYA family, and a direct descendent of the pioneering G1. And like them, its
striking design is driven entirely by function. The curling tapered tube
absorber completely eliminates top-to-bottom resonances to deliver sharp,
accurate bass from the paired C135 drivers – and with a power you have to hear
to believe, given the G3’s compact sizeThe G3 is built around the same D26
tweeter and D50 mid-driver, both metal dome units with Tapered Tube loading, as
the larger GIYA models: our C125S alloy cone driver handles the lower-mid range.
The resulting sound is everything you expect from a loudspeaker that bears the
GIYA name: sublime transparency, accuracy and naturalness that’s easy to enjoy,
and impossible to obtain anywhere else.Even at just 1.1 metres tall, the G3
loudspeaker makes its presence felt. You may wish to make a feature of its
radical, sculptural design; or you might prefer to let its work speak for it
instead. With our range of colours, you can make your loudspeakers as subtle or
strident, restrained or resplendent as you like. The G3 is available in two
standard finishes - pearl white and piano black – and any other colour you
desire by special order.Specification Configuration 4 way 5 driver system
Cabinet material Glass reinforced balsa cored sandwich composite Standard
cabinet colour Multi component high gloss automotive Bespoke cabinet colour
Bespoke colour options available on request Drive units HF: D26 — 26mm metal
dome unit with Tapered Tube loading Mid: D50 — 50mm metal dome unit with Tapered
Tube loading Lower mid: C125S — 125mm with Tapered Tube loading Bass: C135— 2 x
135mm alloy cone unit with short-coil long-gap motor design Sensitivity 87dB @
2.83Vrms at 1.0 meter on axis Impedance (�) 6 nominal, 4 minimum, low reactance
Frequency range (Hz) - 6dB points: 33 – 36,000 Hz First D26 Break Up mode:
44,000 Hz Frequency response 36 – 33,000Hz +/- 2dB on reference axis Harmonic
distortion < 0.5% over frequency range (2nd and 3rd harmonics) Cross over
frequencies (Hz) 220, 880, 3500 Power handling (music program) 800 watts rms
Loudspeaker dimensions 1161mm (H) x 341mm (W) x 578mm (D) Net weight 36kg
Price for one speaker
VIVID AUDIO GIYA
G2 Serie 2 Listino ufficiale
€. 29.000,00
Giya G2 Serie 2 Diffusori Main - Frontali Serie
Giya MDiffusore da pavimento a 4 vie in bass reflex, 5 altoparlanti in
alluminio. Potenza applicabile fino a 800W. Impedenza 6ohm. Frequenza:
33-33000Hz, Sensibilità 89dB. Crossover con componentistica selezionata. La
sorella più piccola della Giya G1 Serie 2 per soddisfare un ambiente di ascolto
più modesto. La Giya G2 Serie 2 offre l’aspetto e quasi tutte le prestazioni
della Giya G1 Serie 2 in una configurazione più piccola. A parte la dimensione,
non si differenzia molto dalla sorella maggiore: ha gli stessi driver frontali,
il crossover, stesso cabinet e, soprattutto, lo stesso suono incredibile. La
Giya G2 Serie 2 ha l’80% dell’altezza della Giya G1 Serie 2 e la metà del volume
del diffusore più grande. Si tratta di dimensioni più contenute rispetto alla
Giya G1 Serie 2 che la rende perfettamente adatto per la sonorizzazione di
camere medio-grandi con suono pieno, vivace e confortevole. I diffusori sono
disponibili con finitura standard Piano Black o Pearl White. E' possibile
l'esecuzione personalizzata in qualsiasi colore RAL. Specifiche
Configurazione Sistema a 5 vie a 5 altoparlanti Materiale della cabina
Panino composito con anima in balsa rinforzata con vetro, base in fibra di
carbonio Colore del mobile Piano, Perla Colore del mobile su misura Opzioni di
colore su misura disponibili su richiesta Unità di azionamento HF: D26 - Unità a
cupola in metallo da 26 mm con caricamento del tubo Tapeed Metà: D50 - Cupola in
metallo da 50 mm con caricamento del tubo Tapeed Parte inferiore inferiore:
C125S - 125 mm con caricamento del tubo Tapeed Bassi: C175 - 2 unità coniche in
metallo da 175 mm con design del motore a corto intervallo a bobina corta
Caricamento dei bassi Tubo conico esponenziale potenziato riflesso dei bassi
Sensibilità 89dB @ 2,83 Vrms a 1,0 metri sull'asse Impedenza nominale (�) 6
nominale, 4 minimo, bassa reattanza Gamma di frequenza (Hz) - 6dB punti:
29-36.000 Hz Prima modalità di interruzione D26: 44.000 Hz Risposta in frequenza
33-33.000Hz +/- 2dB Distorsione armonica <0,5% sulla gamma di frequenze (seconda
e terza armonica) Frequenze di crossover (Hz) 220, 880, 3500 Gestione della
potenza (programma musicale) 800 watt rms Dimensioni degli altoparlanti 1383 mm
(H) x 360mm (W) x 638mm (D) Peso netto 45kg
Designed
as an evolution of the original G1, the GIYA G2 brings you the same world-class
technology and peerless sound quality. But at 80% of the height and half the
volume of its larger sibling, the G2 is perfectly proportioned for medium-sized
rooms, as well as larger spaces, making it easier to accommodate and live with.A
DEEPER CONNECTION The similarities between the GIYA G2 and the larger models
extend beyond the merely aesthetic. The G2 incorporates much of the same
technology, too, including our new metal-dome D26 tweeter and D50 mid-driver,
both with our patented Tapered Tube loading. Lower-mid frequencies are deftly
handled by our C125S driver, with the evergreen C175 taking care of the bass.
The result is huge, natural, transparent sound that faithfully delivers every
detail, without ever becoming fatiguing. The GIYA G2 follows the same design as
the larger G1 and G1 Spirit – and for exactly the same reasons. The enclosure’s
radical shape is designed to eliminate resonance and reflection, which colour
and cloud the music. A major source of resonance in any loudspeaker is the back
of the bass unit. The conventional solution is to fill the reflex box with
stuffing, which has an appealing simple logic to it. But while this works
moderately well in reducing the effects of higher-frequency acoustic resonances,
it also compromises the port output, so you lose weight, punch and articulation
in the bass. Like all GIYA loudspeakers, the G2 has a reflex box that terminates
in an exponentially tapered horn. As well as annihilating resonances, this has
the double advantage of giving you the full port output: every note comes
through with perfect clarity. It’s this absorber horn, curving over the top of
the enclosure, that gives the G2 its unique profile and uncluttered, addictive
bass performance.Many loudspeaker manufacturers have a ‘signature sound’; a
particular quality to the reproduction that, as a listener, you can tune into
and recognise. Which is understandable from a marketing and brand perspective.
But musically, the last thing you want is your loudspeakers adding colours,
textures and tones that weren’t in the original performance. You want them to
bring you the music with absolute accuracy; unfiltered, uncoloured and
transparent, with every note and breath clearly articulated. Which is exactly
what the GIYA G2 is designed to do. So don’t try listening out for ‘the Vivid
Audio sound’, because there isn’t one. Just sit back and enjoy your favourite
music exactly as the artist wanted you to.Specification
Configuration 4-way 5-driver systeCabinet material Glass reinforced balsa cored
sandwich composite, carbon fibre base Cabinet colour Piano, Pearl Bespoke
cabinet colour Bespoke colour options available on request Drive units HF: D26 —
26mm metal dome unit with Tapered Tube loading Mid: D50 — 50mm metal dome unit
with Tapered Tube loading Lower mid: C125S — 125mm with Tapered Tube loading
Bass: C175 — 2 x 175mm metal coned unit with short-coil long-gap motor design
Bass loading Exponentially tapered tube enhanced bass reflex Sensitivity 89dB @
2.83Vrms at 1.0 meter on axis Nominal impedance (�) 6 nominal, 4 minimum, low
reactance Frequency range (Hz) - 6dB points: 29–36,000 Hz First D26 Break Up
mode: 44,000 HzFrequency response 33–33,000Hz +/- 2dB on reference axis Harmonic
distortion < 0.5% over frequency range (2nd and 3rd harmonics) Cross over
frequencies (Hz) 220, 880, 3500 Power handling (music program) 800 watts rms
Loudspeaker dimensions 1383mm (H) x 360mm (W) x 638mm (D) Net weight 45kg
Price for one speaker
VIVID AUDIO GIYA
G1 spirit Serie 2 Listino ufficiale
€. 49.500,00
Giya G1 Serie 2 Diffusori Main - Frontali Serie
Giya Diffusore da pavimento a 4 vie in bass reflex, 5 altoparlanti in alluminio.
Potenza applicabile fino a 800W. Impedenza 6ohm. Frequenza: 29-33000Hz,
Sensibilità 91dB. Crossover con componentistica selezionata. L’ammiraglia della
gamma di altoparlanti Giya, il sistema di altoparlanti allo stato dell’arte. La
Giya G1 Serie 2 è caratterizzata dal look distintivo a conchiglia che racchiude
in sè un eccezionale livello di ingegneria di dettaglio e raffinatezza di design
acustico. Ogni elemento del design è stato affinato in misura straordinaria per
produrre l’ammiraglia della gamma Vivid Audio. Giya G1 Serie 2 è l’altoparlante
top di gamma, lanciato da Laurence Dickie, è un diffusore la cui tecnologia mira
a riprodurre il suono con fedeltà e qualità assoluta. L’intero progetto è
ispirato dalla sua funzione e scopo. Gli esperti concordano sul fatto che questo
è uno dei migliori diffusori che abbiano mai ascoltato (Wes Phillips,
Stereophile) I diffusori sono disponibili con finitura standard Piano Black o
Pearl White. ME' possibile l'esecuzione personalizzata in qualsiasi colore RAL +
4.500,00 euro .Specifiche Configurazione a 4 vie a 4 altoparlanti
Materiale Materiale sandwich composito con anima in balsa rinforzato Colore del
mobile Piano, Perla Colore del mobile su misura Opzioni colore personalizzate
disponibili su richiesta Unità di azionamento HF: D26- 26mm unità a cupola in
metallo con caricamento del tubo Tapeed Metà: D50-50mm caricamento in metallo
Caricamento del tubo in Tapeed Basso-medio: C125S - 125 mm con caricamento del
tubo in Tapeed Bassi: C225- 2 unità coniche in metallo da 225 mm con design del
motore a corto gap a bobina corta Caricamento dei bassi Tubo conico
esponenzialmente potenziato riflesso dei bassi potenziato Sensibilità 91dB @
2.83Vrms a 1,0 metri sull'asse Impedenza nominale () 6 nominale, 4 minima,
bassa reattanza Gamma di frequenza (Hz) - 6dB punti: 25-36.000 Hz Prima modalità
di interruzione D26: 44.000 Hz Risposta in frequenza 29-33.000Hz +/- 2dB on
riferimento Distorsione armonica <0,5% sulla gamma di frequenza (seconda e terza
armonica) Frequenze di crossover (Hz) 220, 880, 3500 Gestione della potenza
(programma musicale) 800 watt rms Dimensioni dell'altoparlante 1700mm (H) x
440mm (W) x 800mm (D) ) Peso netto 74 kg
GIYA
G1 mThe one that started it all. Our original product, designed by
internationally renowned acoustic engineer Laurence Dickie, the GIYA G1 remains
the reference standard for all Vivid Audio loudspeakers, and the entire
audiophile world. What you’ll notice about first is its unique curved outline:
form following function with rare and complete devotion. But what really stays
with you, and keeps you coming back for more, is the sound. INSPIRED BY NATURE.
PERFECTED BY ENGINEERS. Nature dislikes straight lines almost as much as she
abhors a vacuum. She knows that sound travels much more smoothly over curved
surfaces; hence the shape of your own ear. Odd, then, that the standard
loudspeaker design is still, by and large, a rectangular box. All those sharp
edges and right angles produce reflections and resonances – the true enemies of
recorded music. Because what you’re hearing isn’t the real performance: it’s a
version of it, overlaid with colours and textures the writer and performer never
intended. If you want to hear the real thing, you need the GIYA G1.As befits the
top-of-the-range model, the G1 brings you all our finest handmade acoustic
technology. The new D26 tweeter and D50 mid driver both benefit from our
patented Tapered Tube loading. This effectively eliminates cabinet resonances,
giving you absolutely clarity and transparency through the high and mid
frequencies. Underpinning the performance is the massive bass provided by our
paired C225 drivers. Set on reaction-cancelling compliant mounts, they
faithfully bring out every note with perfect accuracy, free of the blurring and
muddiness that bedevil lesser devices.Sheets of wood are easy to cut, handle and
join, which is why loudspeaker makers love them. And they’re perfectly fine if
you just want to make rectangular boxes. Which we don’t, for reasons already
explained. So instead, the G1 enclosure is handmade from a glass-reinforced
composite sandwich, with a core layer of end-grain balsa wood. This allows us to
create the curved planes and angle-free internal spaces that prevent reflections
and resonances. Not the quickest or easiest way to make cabinets, but the only
way to achieve the unique GIYA listening experience.Specification
Configuration 4-way 5-driver system Cabinet material Glass reinforced balsa
cored sandwich composite Cabinet colour Piano, Pearl Bespoke cabinet colour
Bespoke colour options available on request Drive units HF: D26— 26mm metal dome
unit with Tapered Tube loading Mid: D50— 50mm metal dome unit with Tapered Tube
loading Lower-mid: C125S — 125mm with Tapered Tube loading Bass: C225— 2 x 225mm
metal coned units with short-coil long-gap motor design Bass loading
Exponentially tapered tube enhanced bass reflex Sensitivity 91dB @ 2.83Vrms at
1.0 meter on axis Nominal impedance () 6 nominal, 4 minimum, low reactance
Frequency range (Hz) - 6dB points: 25–36,000 Hz First D26 Break Up mode: 44,000
Hz Frequency response 29 –33,000Hz +/- 2dB on reference Harmonic distortion <
0.5% over frequency range (2nd and 3rd harmonics) Cross over frequencies (Hz)
220, 880, 3500 Power handling (music program) 800 watts rms Loudspeaker
dimensions 1700mm (H) x 440mm (W) x 800mm (D) Net weight 74kg Price
for one speaker
VIVID AUDIO OVAL
C1 Listino ufficiale
€. 4.250,00
OVAL C1 Canale centrale a 3 vie, 4 altoparlanti. Potenza applicabile fino a
300W. Impedenza 8ohm. Frequenza: 49-33000Hz, Sensibilità 90dB. Colori: Nera
laccata o Bianca perlata.
OPTIONAL OVAL C1S Stand da pavimento per Canale
centrale Oval C1. Finiture: Nera laccata o
Bianca perlata. La coppia. 1.900,00
VIVID AUDIO OVAL
V1H Listino ufficiale
€. 3.500,00
OVAL V1h Canale centrale a 2 vie, 2 altoparlanti.
Potenza applicabile fino a 150W. Impedenza 8ohm. Frequenza: 47-30000Hz,
Sensibilità 89dB. Colori: Nera laccata o Bianca perlata.
Legenda istruzioni
Clicca
per qui per vedere : FOTO PRODOTTO
 Clicca
per qui per vedere : ISTRUZIONI PRODOTTO
Clicca
per qui per vedere : CATALOGO,PROVA RIVISTE SPECIALIZZATE PRODOTTO
Nota
bene *
Per ordinare o avere
gli ultimi prezzi aggiornati telefona al
0174 670100
o invia un E-mail a
info@newaudio.it
*I prezzi indicati
sono di listino ufficiale delle case produttrici ,nel
caso di diffusori si riferisce al prezzo del
singolo diffusore per offerte ed eventuali
promozioni telefonare o inviare e-mail.
*Il
presente listino sostituisce ed annulla ogni precedente. Le caratteristiche e i
prezzi indicati possono variare senza preavviso telefonare o inviare un
e-mail per ulteriori domande e conferme sui prezzi sopra riportati.
*Tutti i marchi citati nel presente listino sono di proprietà e
registrati alle rispettive Case Produttrici
*Prezzi
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